because of the nature of this theme
this page will contain more text as usual
however , the theme is most interesting — therefore please enjoy !
 

Ptolemy II : ruled 284-246 BC

                                          Adam – as Dionysus – on earth : through Ptolemy II
 
            … after God , through his prophets , had called him out , Adam had to act — and did ;
            starting with Alexander the Great he revealed himself one ruler later : a rather solid
            case can be made that not only  Alexander was guided by a Celestial Guardian ,
            but that this Being identified himself  to Ptolemy II , factually making a pact with him ,
            having introduced the blueprint for the Western society for the next 2000 years as
            a ‘consciousness by the corrupt scroll’ intending to destroy Jacob (‘believers’)
 
            we tried to get a grip on the event “the origins of the Greek Septuagint” which must
            have started during the reign of Ptolemy II but the only available document showed
            to be written by her own corruptors as a smart twisting around of the réal turn of events ,
            and therefore we worked the other way around :  
            the crowning of Ptolemy II was one gigantic Occult Ritual , full of clues foretelling the 
            installation of the Modern West AND the plan for corrupting the Scroll , so that by our
           rightly interpreting the manyfold symbolism we can see that Adam tried to undo Daniel 11 !
 
contents of this page ,
 
part I :
 
intro : 
          Alexander the Great and Ptolemy I paving the way [-for Adam]
            because the evil spiritual seat has to move from ancient-Egypt (not ‘Babylon’ !)
            to the region of Europe to become “the king of the North” [=the West] 
intro :
             the Celestial Guardian and Ptolemy II
            facts about , and titles of Ptolemy II — showing that he was the chosen vessel 
             Adam and the Ammon sons = Ptolemy II and the Esaus + the to-be corrupted scroll
            according to the Scroll the pattern is “Adam and his co-workers the Ammon sons”
            and this same pattern should be valid upon earth      
part 1)
             hypothesis : Adam’s pact with Ptolemy — ‘at a mock mt. Horeb’ 
             reasons why Adam can have used a ‘mock mt. Horeb’ ,
             related to the Exodus ‘birth right’ theme — since his fall was announced at Horeb
              and his entire operation was intended to try undo that foreshadowing                    (or click here)
part 2)
             the abundant symbolism at the crowning of Ptolemy    [extensive !] 
shown themes :
– the god Dionysus                                              (representing Adam)                                                       (or click here)
– a New Dawn on earth
– his servants Esau
– the New Religion                       
– the two mock-Witnesses                               (sic)
– therefore ‘peace’ on earth
– through the corrupted scroll                        (through the drama-poet Philiscusus the Dionysus-follower)
– the “king of the North” himself
– Mystery-Babylon                                                (sic)
– torturing our Originals
– Adam making bodies for them spirits
– Eden                                                                              (as the section “the history of Adam”)
– Adam becomes ‘enlightened’
– Adam working for the Matrix
– the matrix-gate                                                        (in the scroll called ‘Damascus’ — where Adam resides)
– false Eden : the Field of Reeds
– the phallic type human male                            (as the section “back to this earth”)
– ruling ‘the 7 churches’ era                                  (sic)
– the City-State as world rule
– until the day of the end
– the New Earth                                                             (as the section “the matrix has won”)
– the demonic realm rules New Earth
– closing
 
… we listed the topics for you here to show what incredible type Ritual this has been ,
and because it was so extensive it automatically means that it will be a lot of reading for you  —
yet hoping that you will enjoy , we’re sure that you will still find aspects we forgot to list …
text taken from : http://www.attalus.org/old/athenaeus5a.html#196

 
part II :
                                   (origins of-) the Septuagint 
 
intro :
             the so-called ‘letter of Aristeas’ 
             impression of the text and buildup 

 
[started 5 march
part I done 10 march] 
see also : Daniel 11 page
 

                                 Alexander the Great and Ptolemy I paving the way

… the real spiritual seat of the enemy of old-Ishral was not so much Babylon but ancient Egypt ;
it is true that the Pharaoh lost the birth-right attribute during the Exodus , but that was an event
as ‘foreshadowing’ and therefore the loss could be  Undone in real-time : this is the main reason
why Adam covered up Egypt as spiritual seat (by hiding the contents of the Spells) and moved 
the HQ to Greece — and a bit later to the related Rome — as the seat through the corrupted scroll 

the first vessel he used was Alexander the Great  — it is said that before Alexander started his unusual successful campaign an angel-like figure dressed in a white robe had appeared to him in a vision , though he must have been unaware of its nature ; when Alexander’s campaign brought him to Judea  he saw the Temple’s high-priest dressed similarly , and his negative attitude towards the Judahites changed when the priest told him about the great king of Greece written about in the book Daniel ;  after which Alexander went to the Libyan desert to let himself be anointed as the son of Amen-Ra

… so though Alexander was not fully aware of the nature of his celestial guardian ,
the latter continued its project by selecting the next ‘best instrument’ in the form of of one of 
Alexander’s four generals – Ptolemy I , to whom the region of ancient Egypt was assigned ;
this Ptolemy seized the cart with the coffin of Alexander which was on its way to Macedonia 
and placed the coffin in Alexandria , Egypt , creating a serious Alexander Cult around it
 
… the final twenty years of his life – from 304 until 282 BC – Ptolemy ruled Egypt as the first
Greek real Pharaoh , where the aforesaid celestial guardian does not appear to have used
Ptolemy I himself as such , but instead organized the proper situation for his successor    —
notably by the start of “a Jewish community in the city Alexandria” (the ‘Jewish’ here refers
to Samaritans and ‘apostate Judahites’) through whom a few decades later the Septuagint
would come into being under Ptolemy II — but this will be the theme of part II

 
                                       the Celestial Guardian and Ptolemy II

… after the above it is defendable  that some ‘celestial being’ was involved as laying out the groundwork for a certain string of events , but certain aspects in the life of Ptolemy II as well as himself  make a strong case that Ptolemy was awáre of the nature of his Guardian   — and though this latter will fully show in the Great Spectacle , the interpretation óf that Spectacle has its ground in historical facts written down by (later-) contemporaries , suggesting already that Ptolemy was a perfect vessel for his Guardian :

— Ptolemy II was rich ,
     and not “just rich” but unbelievable rich : the historian who described Ptolemy’s crowning 
     event in midwinter around the year 285 BC was flabbergasted by the endless parade of 
     articles of pure gold , yet he lacked an explanation for the origin of those riches    —
     having estimated that the entire event had costed 2239 talents of gold
     (where one talent todáy is the equivalent of $1,991,555 – per January of this year) 
— as described by Diodorus Siculus ,
     then “the king Ptolemy took the name ‘the new Dionysus” (I,44)
     and below we will see why Adam chose this Greek deity ‘Dionysus’ as his represent
— considered that aspect ,
     Ptolemy started by decree the theme “the Saviour God” as epithet , and though
     outwardly this was attributed to his father Ptolemy I the real reason  was the ‘father-son’
     relation in which Ptolemy II was the ‘son’ and the celestial Guardian ‘the father’ 
     (see section below for more concerning this)
— Ptolemy married his own sister ,
     and though in ancient Egypt this was not uncommon , to the Greeks it wás ;
     yet he seemed to rather proud on that , calling himself Ptolemy Philadelphus
     roughly translated as ‘sibling-lover’ ; see below as to where this aspect can link to  
— Ptolemy not only exulted in politics
     but also in astronomy , economics , poetry and philosophy , where under his rule 
     started the great Library of Alexandria (see ‘the corrupted scroll’ theme in part II) 
 
Adam and the Ammon sons , Ptolemy II and the Esaus — and the to-be corrupted scroll
… before describing the Ritual ,
please remember that some Pattern was going on : God explained how Adam would counsel 
the sons of Ammon to technically go corrupt the Scroll , in the sense that “the sons of Esau”
(who are the sons of Ammon upon earth) would ;
therefore Ptolemy II represented Adam , while the Esau group that started to dwell in Alexandria
were these “sons of Esau” that would fabricate the Greek Septuagint as the base for all the
corrupt versions of the Scroll for the next 2000 years      —
although no preserved historical documents exist proving  that Ptolemy ordered the Septuagint
project (the one document that dóes is a complicated theme – please see part II) , we can read
in the Crowning Ritual what Ptolemy’s – Adam’s – intentions were concerning this aspect :   
 
1. 
          hypothesis : Adam’s pact with Ptolemy — ‘at a mock mt. Horeb’
 
… it is not unthinkable that Adam also liked the name ‘Ptolemy’ as “battle , warrior” ,
since Adam himsélf was on a war campaign to try Undo the prophecies in the Scroll ; 
at a certain point in Time the celestial Guardian would have  to tell his human candidate
what was going on and what was expected from him personally — in a similar way how God
proceeded with Abraham ; and for a valid pact this person would have to agree wilfully ;
and thát Adam told very much is reflected in the separate themes showing in the Ritual 
 
… considered that God’s blessing – as foreshadowing – concerning the birth-right had taken 
place at mt. Horeb , and that the fulfillment of that blessing  in Real-time would happen at
mt. tsiun of which Horeb was but the represent upon earth ,
and because ‘the birth-right’ once lost by  Egypt had to return to  Egypt (and subsequently
be hidden in another HQ) , ánd because Adam notoriously desires to be like God  , 
it is not impossible that Adam made a pact with this human at “a” mount near Egypt …    

Mount Gharib … while doing the Exodus series this Gharib (see graph) was a second candidate for being ‘mount Horeb’   since she is also in the south ánd in the eastern Desert  as the requirements conform the Exodus text   —  but then “the sea crossing” had to turn into a problematic ‘Nile crossing’ while her distance “at seven days of Suez”  was neither maintainable ;

… however , for some reason this Gharib refused to leave the mind , also because a researcher had found an inscription at her base which explorers during the 50’s apparently had missed seeing  — referring to Ptolemy II and perhaps written by himsélf upon having visited this mount ,                             and though rather worn out the text is still discernible , writing KING                                        PTOLEMAIOU                                       SON (of) PTOLEMAIOU

… thé question is ofcourse “who would chisel a message like that”    —
it does not appear as vandalism and the place – in the top of a large boulder – is not
easy to reach without some support construct , so that a random hoax seems improbable ;
while it may have been chiseled by anóther of the Ptolemy lineage
 
however , the above mentioned ‘Guardian and Mount’ themes seem compelling ,
and it is not unthinkable that a man would make a memorial at a place where just ago had
experienced a major spiritual event … no ?
add to this the curiosity of it being a mount of red granite – where the root of the name Adam
is linked to ‘ruddish’ , and the possibility of “his own mountain” is not so far-fetched anymore ;
we will see how Adam chose the Greek deity Dionysus to represent himself by , where this
deity typically had “his own mountain” called Dikti ;
while this mount Gharib in otherworldly-sense represents “the matrix-mountain” which is 
superimposed over mt tsiun and carrying the matrix-gate — where Adam is ! — in its top ,
and even the location of Gharib is opposite to Thebes that represents the matrix-gate  …   
 
then the curious text :
… the line “King Ptolemy son (of) Ptolemy” does not necessarily  refer to his father Ptolemy I  
nor even to himsélf for that matter : he called himself “(Claudius-) Ptolemy Philadelphus” 
as his official title and the ‘king’ would be a bit superfluous , right ;
instead , after his experience , he may have denoted something else here :
as a hidden way of saying that “he became a son of the warrior” – namely ‘of Adam’ !
 
IF our assumption is true , Ptolemy would have used veiled language to conceal having
any direct connection with the Guardian he encountered , just like he would use a hidden 
language in the form of the many types of symbolism in his coming crowning Ritual     —
but the meaning WOULD show to anyone knowing where to look for ! 
 
the ‘father + son’ theme and the unusual title ‘Saviour’ (in Greek : Soter)
… this very unusual epithet
had been sparsely applied to the Macedon kings Demetrius I and Antigones I in the wake
of Alexander , but it was our Ptolemy II who pushed this title in 280 BC by decreeing it to
become the epithet of his father Ptolemy I , and one cannot help thinking that also in this
case he used veiled language to ascribe ‘the Saviour’ to his réal father : Adam ;
experts will tell you that a title as “saviour” was also common by the Pharaohs 
but that is simply not true : there is NO term as “to save” in hieroglyphs because every Spell
is written in the alpha-male style of “defeating and conquering Eden” : “soft terms” simply
do not exist because even in the field of sexuality everyone ‘greedily tákes’ from the other ,
so that any ‘saviour’ title has Greek origins ;
that Ptolemy had someone else in mind also shows in the later Canobic Inscription
where he himself writes :
“[to] the Saviour God, Claudius Ptolemy [dedicates] the first principles and models of astronomy” 

 
2.  
             the abundant symbolism at the crowning of Ptolemy

Dionysus                                                                        … an important deity with a rather vague epithet  — scholars don’t know the origin of his name , but to us               it seems logical that the second part would be from  (-nous) ‘mind’ after the proto-Hellenic (-dios) ‘divine’  [=which turned into (-Zeus) for the Greeks] ,  where the first -s was simply dropped over Time ; so that “consciousness” seems very appropriate  especially concerning the ‘king of the North’ theme ; he was said to be the god of grape-harvest (sic) , wine making , of orchards and fruit , and also of fertility , but especially of insanity and ritual madness , and of theatre ;

compare the Tutankhamen mural where he is a leopard trampling us

… the latter – prophecy , ritual madness and theatre – are important because his festivals
included the performance of sacred dramas enacting his myths , and this aspect will be used
for the corruption of the Scroll , literally “inventing dramas” from her original text ;
therefore it is no coincidence that Adam chose this deity to present himself by 
and why the Great Procession contained many themes concerning Dionysos ;
while a returning notion about this deity is “liberty” and per our context “liberty from God” 
in the sense of “being free from” , suiting Adam and as the state he needed us to be in
 

… the thyrsus or sceptre he holds is interesting for us                 because of the birth-sceptre as thé attribute of Adam (well – not anymore) per the “fertility theme” of Dionysus ; perhaps in our situation the birth-sceptre theme should prevail over the probable original intent where the tip of the staff bore a pine-cone which is often seen as representing ‘the pineal gland’ in  the brain linking to realms of (evil type-) consciousness

(and unsurprisingly , the Vatican that is serving Adam also has a giant pine-cone in her garden) ,
which indeed would match the epithets ascribed to Dionysus as mentioned above ;
 
                                                                             the Grand Procession itself

…only few artworks have been preserved showing the            absolute grandeur of the Great Spectacle , see to right ;      but from written accounts like the one of Athanaeus we can see how a great symbolism in the individual carts  and groups was carefully arranged to serve a theme ; we’ve cut up his descriptions in sections where each section will be followed by remarks    —   (a New Dawn on earth) “first of all went the procession of the Morning Star.  For it began at the time when that star first appears.  After that came the procession which bore the name

sarcophagus – ‘triumph of Dionysus’

of the parents of the kings. And next came the processions sacred to all the gods respectively, 
each having an arrangement appropriate to the history of each separate deity. Last of all came 
the procession of Hesperus, as the hour of that one starting coincided with that time.”
— Venus :
… we don’t know if the procession indeed lasted until Hesperus , Venus as evening star ,
but the symbolism is “a new Dawn” as the era of the king of the North the next 2000 years ;
 
(his servants Esau)
“in the Dionysiac procession first of all there went the Sileni who keep off the multitude, some clad 
in purple cloaks, and some in scarlet ones. And these were followed by Satyrs, twenty in each 
division of the stadium, bearing gilded lamps made of ivy-wood. And after them came images of
Victory, having golden wings, and they bore in their hands incense-burners six cubits in height, 
adorned with branches made of ivy-wood and gold, clad in tunics embroidered with figures of 
animals, and they themselves also had a great deal of golden ornament about them.”
— the Sileni
… these were folkloric beings as “the drunken companions OF Dionysus” 
and when drunk they were said to possess special knowledge and the power of prophecy ;
because of these aspects ‘drunk’ must be understood as ‘an altered consciousness’ per
Dionysus , just like the Scroll describes in several instances ‘drunk’ as “the not sane faith” ; 
that these Sileni wore “scarlet and purple cloaks may refer to them being Esau-Edom (‘red’) 
also “because they kept the multitude in check” , read : to rule by spréading drunkenness ,
— the Satyrs
… this type beings were ALSO followers of Dionysus    —
the Satyrs here “carried lamps” so these beings were ‘enlightened’ : however they represented
the sáme Esau-theme as before , but now both their enlightedness combined with their slightly
demonic appearance denoted that in reality these were “the sons of Ammon” dwelling in the
other Reality (-in the field of Reeds at Mystery-Babylon) ,
— Victory
… this must be about “the victory Adam wants to achieve through that drunkenness” :
the mentioned ‘incense’ refers in the Scroll to “prayers” but these are poisoned already ,
also shown by the ‘ivy-wood’ which represents the sorcery wand , while the ‘gold’ may stand
for “superficial” – and this latter perhaps related to ‘the animals’ (animalistic) ;
   
(the New Religion)   
“And after them there followed an altar of six cubits in height, a double altar, covered all over with 
ivy-leaves gilded, having a crown of vine-leaves on it all gold, enveloped in bandages with white 
centres. And that was followed by boys in purple tunics, bearing frankincense, and myrrh, 
and saffron, on golden dishes. And after them came forty Satyrs , crowned with ivy garlands made 
of gold. And they were painted as to their bodies, some with purple, some with vermilion, and some 
with other colours. And these wore each a golden crown made to imitate vine-leaves and ivy-leaves.”
— the double altar
… continued from previous but here likely as ‘the New Religion by the corrupted Scroll’  
since it is a ‘double altar’ covered with the same sorcery ; 
this would make “the boys in purple (sic) tunics” the Roman Catholic Church , here perhaps
offering TO Adam considered the frankincense and myrrh ; where the final group of Satyrs
may represent “the chosen leaders of the RCC” or perhaps even “through Time” when ’40’
would represent ‘Jubilees’ – as 2000 years , because see next , 
 
(…until the 2 mock-Witnesses)
“And after them came two Sileni in purple cloaks and white fringes to them. And one of them had 
a petasus and a golden caduceus, and the other had a trumpet. And between them went a man 
of gigantic size, four cubits high, in a tragical dress and ornaments, bearing the golden horn of
Amaltheia. And his name was The Year.”
now ,
— the two mock-Witnesses                                             [or : ‘not-succeeded-Witnesses’]
… this is a tricky but important one ,
– the “trumpet” means “the message” just like the Scroll connects her with the 144
    (and is the reason that the restored scroll started at ‘trumpets’ , the seventh feast) ,
– that one wears a ‘petasus’ which was the Greek “hat for the common people” may link
    to the line “and the Scroll will be given to those who are NOT learned” – you and we ,
    but “as ones belonging to a religion” because of the purple cloaks ,
– the “caduceus” is more tricky ,
    perhaps denoting “the modern type awareness of physicality as in our days” ? ,
    the man called ‘the Year’ 
– as obviously ‘a timeframe’ , and it’s hard to nót think of “the acceptable year” theme 
    and / or “the feast of Trumpets” as mentioned above , especially because ‘he was huge’
    implying “importance” ; his ‘tragical dress’ (-of poets) means “the corrupted Scroll” (!) , 
    see the Dionysus section above and a similar theme next ; he holds “the horn of plenty” 
     which can refer to “the candidates for the Witnesses will not need anything” , read , 
     therefore will NOT search the meaning of the Scroll ;
     or perhaps “plenty of myths” but still linked to the same corrupt Scroll theme ;     
 
(therefore : ‘peace’ on earth)
“And he was followed by a woman of great beauty and of more than ordinary size, adorned with 
quantities of gold and a superb dress; bearing in one of her hands a garland of peach blossoms, 
and in her other hand a branch of the palm-tree. And she was called Penteteris. And she was 
succeeded by the Four Seasons dressed in character, and each of them bearing its appropriate fruits.”
— the Woman
… perhaps representing ‘Gaia’ which is “the spirit-being as this earth” — she is also mentioned
in the Scroll as being judged “when she will have brought forth 7 (-billion humans)” —
for her name ‘Penteteris’ may refer to “the priestess of Athena Polias” [=’of the city’] where 
‘city’ is also an epithet of ‘this earth’ ; she holds a palm-tree branch meaning ‘peace’ after
the two witnesses will not have succeeded ;
the apricots (?) may represent “the golden apples of Hesperidis” as the Greek myth where 
this land was located ‘in the west’ , as a reference to “this earth” ; while the ‘four seasons’ 
after that may be just a confirmation of she being earth ,   
 
(…through the corrupt scroll)
“Next to them came two incense-burners made of ivy-wood, covered with gold, and six cubits 
in height, and a large square golden altar in the middle of them. And then again Satyrs, having 
garlands of ivy-leaves made of gold, and clad in purple robes. And some of them bore golden 
wine-jars, and others bore goblets.  After them marched Philiscus the poet, being a priest of 
Dionysus, and with him all the artisans who were concerned in the service of Dionysus.”
— Philiscus
… perhaps this one lagged a bit and had to be earlier in the procession   —
the (double-) incense and altar is the same symbology as previous ,   
not only also hé was ‘a priest of Dionysus‘ but ‘he wrote (42-) dramas’ (!) and therefore
this figure himself represents the act of corrupting the scroll — as changed into that which 
apostle Paul calls “the myths and fables of the Jews” ; but it’s probably irretrievable what he
said because those sections were fanatically corrupted
(interestingly the root of Philiscus (-philos) “friend” may have been the original root of ‘Paul’
instead of the Latin , but his re-naming by Christ may link to this theme …) ; 
being called “the tragic Poet” “all his other artisans followed him in the procession”     —
a clear reference to all the Esaus in Alexandria that would fabricate the Septuagint’ !
 
                              next : the procession of Dionysus (‘of Adam himself’)
 
(… as ‘the king of the North’)
“After them was a four-wheeled wagon fourteen cubits long, and eight cubits wide; and it was 
drawn by a hundred and eighty men; and in it was placed an image of Dionysus ten cubits high, 
pouring libations of wine out of a golden goblet, having on a purple tunic reaching down to the feet; 
and he was clad in a purple garment embroidered with gold; and in front of him there lay a golden
Lacedaemonian goblet, holding fifteen measures of wine, and a golden tripod, in which was a golden 
incense-burner, and two golden bowls, full of cassia and saffron; and a shade covered it round 
adorned with ivy-leaves and vine-leaves, and all sorts of other green leaves; and to it were fastened 
chaplets, and fillets, and thyrsi, and drums, and turbans, and satyric and comic and tragic masks.
And the wagon was followed by priests and priestesses, and newly initiated votaries, and by 
companies of every nation, and by people bearing the mystic fan. And after this came the
Macedonian bacchants, called Mimallones, and Bassarae, and Lydian women, with dishevelled hair, 
and wearing garlands, some of snakes, and others of branches of yew and of vine-leaves and ivy-
leaves, and some held daggers in their hands, and others held snakes.” 
— entering : (the-) Dionysus (-consciousness)
the Ritual :
— the Lacadaemonian goblet
… that is tricky but probably referring to “a type constitutional Society” (démos = people)
conform a type treatise drafted by Xenophon a hundred years earlier for Sparta ;
that the goblet also held wine must refer to the same mentioned ‘altered consciousness’ ,
and combined with “two golden bowls of saffron” it can represent ‘Dualistic consciousness’ ;
so that ‘Adam introduced the modern West here’ : 
very interesting is what he adds : “to it were fastened chaplets and fillets , and ivy wands 
(referring to the magical wands used in Egypt , as clinging magic !) , drums (hypnotism !) ,
turbans , and also “actor’s masks” (sic !) ;
we saw in Daniel 11 how the king of the West rules the people by deceit to form his NWO 
(playing upon the people using the “good cop bad cop scheme” as the same type Dualism) ; 
 
(as earth ruled by Mystery-Babylon)
“And after them another four-wheeled wagon was drawn, of the width of eight cubits, and it
was drawn by sixty men; and in it was a statue of Nysa, of eight cubits high, in a sitting posture,
clothed in a box-coloured tunic embroidered with gold, and it was also clad in a Laconian cloak;
and this statue rose up by mechanism, without any one applying his hand to it; and it poured
libations of milk out of a golden bottle, and then it sat down again; and in its left band it bore
a thyrsus wrapped round with turbans, and it was crowned with a garland of ivy-leaves, made
of gold, and with gorgeous bunches of grapes inlaid with precious stones; and it had a parasol
over it; and on the corners of the wagon were fastened four golden lamps.”
— Nysa
… a personified ‘mountain of Dionysus’ likely representing Mystery-Babylon here
since according to Greek mythology this mountain “was in India” but as “in the dimensional
far east” ; combined with the tunic the ‘golden bottle (cup)’ is an interesting attribute
and “libating milk” cóuld refer to her “providing the spirit-nations with physicality” —
the Spells do refer to milk and the [pre-Hindu-] Rg-Veda to “clarified butter” (to be eaten
by a ladle ?) , but we haven’t succeeded yet to distill a precise meaning of these ;
the “sitting and standing” must be per the line in the scroll “I sit like a queen” ;
 
(… torturing our Originals)
“And next to that another four-wheeled wagon was drawn along, twenty cubits in length and sixteen 
in width, mad it was drawn by three hundred men. And on it there was a wine-press twenty-four cubits
in length and fifteen in breadth, full of grapes; and sixty Satyrs were trampling on the grapes, singing 
a song in praise of the wine-press, to the music of a flute. And Silenus presided over them; and the 
new wine ran out over the whole road. Next to that was drawn along a wagon, twenty-five cubits long 
and fourteen broad; and that was drawn by six hundred men. And on this wagon was a sack holding 
three thousand measures of wine, consisting of leopards’ skins, sewn together. And this too allowing 
its liquor to escape, gradually flowed over the whole road. And it was followed by Satyrs and Sileni,
to the number of a hundred and twenty, all wearing garlands”
— treading grapes
… after Mystery Babylon the whore now the theme must be ‘torturing our Originals’ 
and because the scroll says “that it were the nátions (-of spirits) who tortured them” after  
Adam betrayed them , the text above appears to fit ; moreover , the few instances where the 
Scroll speaks about “treading grapes” it must refer to this same practice  —
but we’ve to proceed carefully and again (!) look at the context there ;

however —  in the spells is a deity SHESMU called “the winepress god” as the executioner of Osiris where this may be the same theme ; that here ‘the Satyrs tread it’ must refer to ‘the nations (-of spirits)’ but “Selenus presiding over  them” must refer to ‘the Ammon sons’ : – indeed in the Rg-Veda the Kava-priest , a description of Ammon , leads the sacrificial event (monsters that they are) ; the mentioned “leopard skins” represent “physical mixture” so the theme could be right ;

‘winepress in vineyard’ glyph

(Adam making bodies for them spirits)
[next 29 and 30 : tricky 
and very long ; excerpts :] “(and the great silver vessel-) had figures of animals engraved.” 
“and these (-two other vessels) had figures standing out in relief above, and also on their round 
 parts all round. And on their feet they had chased figures of animals two cubits and a half long 
 and a cubit high, in great numbers.”
“and two silver wine-presses, on which were twenty-four urns.” 
“and these had figures of animals in richly chased work of great beauty, in a sitting posture, 
 and on their necks and on their bellies were other reliefs curiously wrought”
“and two jars, each holding five measures, and two flagons, each holding two measures”
“After this had been carried by, there walked sixteen hundred boys clad in white tunics, 
 and crowned some with ivy”
— the ‘molten images’ [=bodies] Adam makes for them (?)
… if the previous one was about “the treading of grapes” then this should follow  —
– the “vases and articles of gold” could refer to the ‘molten image theme’ 

(where especially “gold” is physicality from our Originals) , – the “animals” are ‘demon-souls’ in the scroll are     described there as “the rats and the moles” ,     and curiously also in the Spells these show “in sitting     position when re-created”, often upon some type chair     or upon a ‘weaving-pole’ (probably the same concept) ; – the “urns” could refer to “the residue OF the Originals”     by which those bodies are made (also the scroll uses     that term as “made from their residue”) , – while the mentioning of “different measures” looks very     much to how the scroll mentions “different measures of      oil and wine” referring to the concept of mixed physicality ,

Amduat 2nd hour : several type animals made into a humanoid ; the knife is the phallus (and see the Priapus theme in next section)

– then perhaps the many boys at the end are ‘the end-result’ of Adam’s work ;
 
                                                             next : Adam’s history
 
(Eden)
“After these things he enumerates tables four cubits high, on which were many things worth 
looking at, which were all carried round for the spectators to see, being beautifully wrought. 
And among them was a representation of the bed-chamber of Semele, in which were seen 
statues clad in golden tunics, inlaid with precious stones of the greatest value.”
— ‘Semele’ is Eden  
… this goddess Semele , likely meaning “(mother-) earth” is the mother of Dionysus ,  
but may be more specified as “the eden-mother” bringing forth our Originals
(inclusive Adam , in the former time) 
because of “the golden figures” standing there ; assumably these represent ‘our Originals’ 
but possibly it can be the group of demon-souls who stóle Original bodies before the Deluge
(as a small group of invincible warriors called Maruts in the Rg-Veda) ;
 
(Adam becomes ‘enlightened’)
“And it would not be right to pass over this four-wheeled wagon, of the length of twenty-two 
cubits and of the breadth of fourteen, drawn by five hundred men. And on it was a cave 
exceedingly deep, overgrown with ivy and yew, and out of it flew doves, and pigeons, 
and turtle-doves all along the road as the wagon proceeded, having their feet tied with slight 
threads, so as to be easily caught by the spectators. And out of the cave there also rose two 
fountains, one of milk and one of wine, and around it all the nymphs had garlands of gold, 
and Hermes had a golden herald’s wand, and very superb raiment.”
— Hermes = Thoth
… the fallen archangel in the scroll represented by ‘the king of [Mystery-] Babylon’ ; 
in the apocryphal “book of Adam and Eve” , after they are expulsed , they both dwell 
in a cave below the top of the mountain (-tsiun) where Adam repeatedly tries to kill himself
out of sorrow for what happened ; we can’t know if the book is a hoax but ‘cave’ makes
sense here , and combined with “Thoth showing up” (compare the snake in the garden)
the turtle-doves and pigeons flying away may refer to Adam ‘losing innocence’ where he
is teached the matrix-type dualistic thinking – the wine and milk – by Thoth
as the one “with whom he made a pact” , so says the scroll ; 
 
(Adam going to the Matrix)
“And on another four-wheeled wagon, on which the return of Dionysus from the Indians was 
represented, there was a figure of Dionysus twelve cubits high, riding upon an elephant, clad in a 
purple robe, and having on a crown of vine-leaves and ivy-leaves of gold, and bearing in his hands 
a spear like a thyrsus, made also of gold; and he wore sandals embroidered with golden figures.”
the ritual ,
— the ‘return from India’ : Adam leaving
… logically this theme must now follow — this “return from India” is a major Greek poem ,
where Zeus orders Dionysus ‘to travel to India’ , whose inhabitants refuse to worship him ,
for they prefer their ancestral gods of fire and water and refuse to drink Dionysus’ wine
which is the “care-forgetting vintage” ; then Dionysus gathers a large army , marching to
India while on the way he collects a number of lovers — and though India’s ruler fights 
several battles with Dionysus , the ruler finally gives in to his power ;
we saw earlier that ‘India’ represents “the dimensional East” – as the matrix region ,
and he INDEED marched to there , while the “lovers” should be “the corrupt type souls” 
as the sons of Ammon ;
— the ‘did not like him’
… interesting is the “the inhabitants do not like him” : this is also said by the demon in the 
pre-Hindu Rg-Veda as “and I looked at Yama (Adam) with suspicion because he is strange ,
however he is creating everything we need , therefore praise him with flute and song” ;

— the elephant … Spells have a construct called AB ‘elephant’  which is also “a region” , while the later Veda’s             show elephants carrying their paradise where the elephants “stand upon the south land (read : mt Tsiun) shown as ‘a turtle’ ; that Dionysus rides the elephant means “he invented this construct”, being the same as “the spear” — the world tree , as standing upon the Eden region ;

(the matrix-gate)
“And there sat before him, on the neck of the elephant, a Satyr five cubits in height, crowned 
with a chaplet of golden pine-leaves, and holding in his right hand a goat’s horn made of gold, 
with which he appeared to be blowing signals. And the elephant had golden trappings; and on 
his neck he had a crown of ivy-leaves made of gold; and he was followed by five hundred 
maidens dressed in purple tunics, with golden girdles; and those who went first, to the number 
of a hundred and twenty, wore crowns of pine-leaves made of gold; and they were succeeded 
by a hundred and twenty Satyrs clad in complete armour, some of silver and some of brass. 
And after them there marched five troops of asses, on which rode Sileni and Satyrs, all wearing 
crowns. And of the asses some had gold and some silver frontlets and harnesses.”
— the gate and other constructs
… the satyr upon the neck of the elephant represents “their copied eden-gate” where Adam is ;
that he holds “a trumpet” is the nature of that gate : “(evil-) speech” since it hollers to eden
south of it , as “the lion-mouth” glyph -R , ‘speech’ commanding to give her aspects to them ;
— the “maidens”  
… in the spells maidens represent new or copied eden-concepts and the book Amduat is full
of these maidens , sometimes paired with a same number of ‘gods’ (compare here ‘120 + 120’)  
but no further information is given about these ; we dó know that this is about “constructs” since
the “silver” and “brass” are dimensional essences to create a surroundment with  ;
the “asses” here is a bit nasty , representing “dimensional axis” termed “phalluses” in the Spells
which are like “inserted into eden to suck out essences” ;   
 
(their paradise ‘the Field of Reeds’)
[32 : long ; excerpts :] “And after them came twenty-four chariots drawn by four elephants each, and sixty chariots 
each drawn by a pair of goats, and twelve chariots by antelopes, and seven by oryxes, and 
fifteen by buffaloes, eight by pairs of ostriches, and seven by gnus, and four by pairs of zebras, 
and four chariots also drawn each by four zebras. And on all these animals rode boys wearing 
the garments of charioteers, and the broad hats called petasi; and besides them were little girls, 
armed with small shields, and thyrsi-spears, and they also were dressed in golden-broidered 
garments; and the boys who were acting as charioteers were crowned with pine-leaf chaplets, 
and the girls with ivy-leaves. And besides this there were three pairs of camels, on either side 
three, and they were followed by carts drawn by mules; and these had on them barbaric
palanquins on which sat women from India and other countries, dressed as prisoners. 
And of the camels, some bore three hundred minae weight of frankincense, and three hundred 
of myrrh, and two hundred of saffron, and cassia, and cinnamon, and iris, and two hundred of 
other spices.”
“After them came a hundred and fifty men carrying trees from which were suspended birds and 
beasts of every imaginable country and description; and then were carried a lot of cages, 
in which were parrots, and peacocks, and guinea-fowls, and pheasants”

— their Field of Reeds — as copied Eden … all the animals depict the richness of their Field as shown in many Egyptian murals , see to right  (he holds the magical wand so it’s not ‘the Nile’ ) ; all the boys wear the same “commoners hat” as  at a previous cart so these boys and girls must be her inhabitants : the spear-sceptre they hold must  be the captured birth-right by which they now rule  (for they have “their golden image” now – see text) ;

the female prisoners :
this can only refer to “our female Originals being abused“, see ‘the Bashan bulls’ theme
in the scroll and also Index (the “double Trap” Nut-dome page) — first because they sit on 
(in) “barbaric” palanquins where the ‘barbaric’ term ofcourse refers to Eden ; 
the many type spices described next should be “their reward FOR that abuse” 
since the scroll tells that “by abusing them , the matrix daily can keep stealing from eden” ; 
 
                                                                   back to earth
 
“And after these beasts came an image of Dionysus flying to the altar of Rhea when he was 
pursued by Hera, having on a golden crown, Priapus standing by him crowned with a crown of 
ivy-leaves of gold, and the statue of Hera had also a golden crown on its head.”
— Dionysus to earth
… per the Greek story , after his mother Semele (‘Eden’) was burned (read : desolated) ; 
— Priapus : the phallic human male
… a rather silly Greek minor deity who constantly had an erection and he represents the 
phallic human male upon earth – as a body devised  by Dionysus-Adam ;
interesting is the parallel of him wearing the crown AND Hera wearing the same crown :
saying here “that the mind and nature óf phallic male is ruled by Hera” , turning this
unpredictable deity into “representing the matrix-consciousness in the other Reality”  — 
in the scroll this phallic human male type is termed “Ephraim” and there is a chapter 
describing how this bulky type is indeed ruled from abroad through his own Ego ;
note also how this theme – on purpose –  follows after “the imprisoned female Originals”
and please see the “double Trap” pages for clarification ;
 
(ruling ‘the 7 churches’ era)
“And there were images of Alexander and of Ptolemy, crowned with chaplets of ivy leaves 
made of gold. And the statue of Virtue, which stood by the side of that of Ptolemy, had a golden 
crown of olive-leaves. And Priapus was with them, having a crown of ivy-leaves made of gold. 
And the city of Corinth had a large image there, standing by the side of Ptolemy, and that also 
wore a golden diadem; and by all these lay a large golden stand full of articles of gold plate, 
and a golden goblet containing five measures. And this wagon was followed by women having 
very sumptuous dresses and ornaments, and they bore the names of cities, some of cities of
Ionia and other Greek towns, as many as, occupying the islands, and the coast of Asia, 
were made subject to the Persians; and they all wore golden crowns. And on other chariots there 
was borne a golden thyrsus ninety cubits long, and a silver spear sixty cubits long; and on another 
a golden phallus, a hundred and twenty cubits long, chased all over, and wreathed with golden 
garlands, having on the end a golden star, the circumference of which was six cubits.”    
— Priapus + Virtue + Ptolemy
… Ptolemy – as human male – is ofcourse represented by Priapus , but here the negative
aspect of Priapus is ‘undone’ by the Roman (!) deity Virtue : military strength , manliness ,
courage and excellence — namely ‘for the Esau types phallic males’ ;
— the cities of West-Asia
… why exactly ‘Corinth’ escapes us (perhaps of her etymology “to pierce) : the others) ,
but “that she stands next to Ptolemy” means that ‘she rules’ ;
namely “over the other cities in Ionia” which is the region of the 7 Revelation churches 
(and apparently also cities as perhaps Jerusalem) which are “represented by females”
as underlining that those will be submitted bý the phallic Esau type male ;
the following ‘golden thyrsus’ is again ‘the birth-right’ ; the “silver spear” is unclear but
may relate to the rather vague “spear of destiny” as a spin-off of the former ; 
while the “huge phallus” represents ‘the obelisk’ like f.e. the Vatican (!) and London have ;  
 
[skipped section : many ‘lions , bulls and beasts’ — unclear] 
 
(worldly rule)
“And after this came a procession in honour of Zeus and of many other gods; and after all these, 
came a procession in honour of Alexander, who had a golden statue, borne on a chariot drawn 
by real elephants, having Victory and Athena on each side of him. And numbers of thrones were 
borne in the procession, made of ivory and gold, on one of which lay a crown of gold; on another 
a pair of horns made of gold; on another was a golden chaplet; and on another a single horn made 
of solid gold. And on the throne of Ptolemy Soter lay a crown which had been made of ten thousand 
pieces of gold money. And there were also carried in the procession three hundred and fifty golden 
incense burners, and golden altars, all crowned with golden crowns, on one of which were firmly 
placed four golden lamps ten cubits high. There were also carried twelve stoves with golden tops, 
one of which was twelve cubits in circumference and forty cubits in height; and another was fifteen 
cubits high.”
— the victorious City-State
… starting with Alexander , Dionysus’ victorious (Victory) city-state (Athena) began ,
later emending in the Roman “Urbi et Orbi” — and it is empowered by “elephants” which ,
as we saw , represent ‘the (dimensional-) far East’ , the matrix-realm ;
the different ‘thrones’ here must be “the different týpes of worldly rule” considered the 
attributes upon the thrones : crowns , horns and a chaplet – though with unclear meaning ; 
— 350 burners : a moon-year (?)
… the “incense” means “spiritual adoration” (c.q ‘prayer’ etc) so it could indicate that this
worldly rule would continue every year the whole year through : and the moon year
in this context  could be directed against God (because He counts in moon-months) ,
while “the 12 stoves” would represent ‘the solar calendar’ that was introduced by Rome ,
where indeed both are used upon this earth ; 
  
(… until the day of the end)
“There were also carried in the procession seven palm-trees overlaid with gold, eight cubits high, 
and a golden herald’s staff forty-five cubits long, and a thunderbolt overlaid with gold forty cubits 
in size, and a gilt thrice, the circumference of which was forty cubits; and besides all this, a pair of 
horns eight cubits long. And an immense number of gilded figures of animals was also exhibited, 
the greater part of which were twelve cubits high; and beasts of enormous size, and eagles twenty 
cubits high. And golden crowns were also exhibited to the number of three thousand two hundred. 
And there was a separate mystic crown made of gold studded with valuable stones, of eighty cubits. 
This was the crown which was placed at the door of the temple of Berenice; 
and there was also an aegis of gold.”

— later empires within the City-State (?) … this section is a bit unclear : but per continuation and considered the (smaller-) animals as well as “the enormous beasts” where he mentions “eagles” it could well be ‘the chests of separate countries’ ;  the “seven palm-trees” is unclear , the “herald’s staff” refers to Thoth (‘writing’) and máy refer to all of these later empires “following a certain script” – but that is a guess ;

— ending in victory at That Day (?)
… perhaps “all those empires represent that mystic crown” which is
placed “at the door (-of a time period)” : the scroll also suggests that “a certain end-point”
had been established as “the day when either Eden would have won – OR the matrix” 
(which would make this event the very last line of Daniel 11) ;
and considered ‘the door of Berenice’ meaning “to bring victory” this assumption can be true ; 
 
                                                                              the matrix has won  
 
(the New Earth)
“There was also exhibited a golden breastplate twelve cubits broad, and another breastplate 
of silver eighteen cubits broad, having on it two golden thunderbolts of the size of ten cubits each, 
and a garland of oak-leaves studded with precious stones; and twenty golden shields, and sixty-
four suits of complete armour also of gold, and two golden greaves three cubits in height, 
and twelve golden dishes and a most countless number of flagons, and thirty-six vessels for 
wine and ten large anointing vessels, and twelve ewers, and fifty large dishes for barley loaves, 
and tables of different sorts, and five repositories for gold plates, and a horn thirty cubits long 
made of solid gold. And all these articles of gold plate were exclusive of those carried in the 
procession of Dionysus. Then there were four hundred wagons of silver plate, and twenty 
wagons of gold plate, and eight hundred of perfumes and spices.”
— the ‘new family tree’ upon the new earth 
… not easy – but the golden ‘breastplate’ could refer to “worn birth-right” however it is
a mixed attribute , shown by the silver breastplate next to it , and resulting in ‘suits’ 
which must refer to “this body” now having been ‘upgraded’ so to speak ; that the theme
is ‘the new body’ can be shown by the symbolism of “vessels” (body) , “barley and wine” 
as stolen eden-aspects for it , combined with the “perfumes and spices” (same) ;
while the “oak tree (-leaves)” represent the non-Jacob family-tree where the oak is 
related to ‘foreign deities’ in the scroll (see Gen.35:4) ;    
 
(the demonic realm rules earth)
“And after all these things came a procession of troops, both cavalry and infantry, all armed 
and appointed in a superb manner: infantry to the number of fifty-seven thousand six hundred; 
and cavalry to the number of twenty-three thousand two hundred. And all these marched in the 
procession, all clad in suitable apparel, and all having their appropriate armour; and there were 
also great numbers of suits of armour besides lying for inspection, too numerous for any one 
to count (but Callixeinus has made a catalogue of them) ; and they were also crowned in the 
assembly with twenty golden crowns. And first of all Ptolemy and Berenice were crowned with 
twenty-three, standing on golden chariots, in the sacred precincts of Dodona.”
— the superb troops
… the scene resembles very much ‘the 200 million demon kings’ from Revelation
which are “the riders upon their fast leopards” in the scroll , obviously as “the gods” of the
new earth’s non-Jacob family-tree just before ;
— the Dodona (-oracle)
… though Delphi was the main Oracle , Delphi represented ‘the matrix-gate’ (compare the
fumes which are the same as “the fumes from the Pit” in Revelation) ,
this Dodona must represent ‘the Oracle upon earth’ since she was related to ‘oak leaves’
representing the New Family-tree , of which Ptolemy I and his wife Berenice were the very
first progenitors — hence they are depicted in that place ;
— 23 crowns : 2300 years (?)
… the possibility is intriguing : indeed Ptolemy I lived in 300 BC where ‘the Oracle’ is Time
related , and “the crown” obviously to ‘a victory’ ;
but how come that these elite-troops have only “20 crowns” is more difficult  —
perhaps in a for us unknown way that counting only started since Christ  , and compare the
seven churches mentioned previously — however this is a guess and we cannot prove it   
   
                                                                                —   closing   —
 
“The expense of money which was incurred on this occasion, amounted to two thousand 
two hundred and thirty-nine talents and fifty minae; and this was all counted by the clerks of the 
treasury, owing to the eagerness of those who had given the crowns, before the spectacle came 
to an end. But Ptolemy Philadelphus was crowned with twenty golden crowns, two of them on 
golden chariots, and one six cubits high on a pillar, and five five cubits high, and six four cubits high.”
 
“Now my friends and fellow-banqueters, what kingdom ever possessed such quantities of gold as this? 
For Egypt did not acquire all this by taking money from the Persians and from Babylon, or by working 
mines, or by having a river Pactolus, bearing down gold-dust in its waters. For its only river is that 
which can really be called the Golden Stream — the Nile, which together with its boundless supplies 
of food does bring down gold without alloy, which is dug up out of the soil without danger, in quantities 
sufficient for all men, diffused over the whole soil like the gifts of Triptolemus.”  
— the costs
… see intro ,
— 20 crowns for Ptolemy
… considered previous a bit tricky : per context very possibly relating to the Septuagint theme 
which would really come to effect after also all of the NT would have been corrupted  ;  
just the symbolism only supplies few indications that this was intended ,
— the mystery of his wealth
… the author indicates that it did not come forth from ‘robbery’ yet he has no other answer as
that ‘the Nile must have supplied it’ : but from whatever sources it came , it was the result of
he having made a pact with Adam who would have promised him this wealth
(and obviously “a high position in their type afterlife — in the Field of Reeds”)