… the strongest argument so far for the existence of an original base-10 showed in the book Amduat as the 10 stars called ‘the root of – the One (Eden)’ that was transformed to create their matrix base-12 to hide Eden in her now dimensional-background as the huge operation in this ‘book of twelve hours’ ;

by understanding this main theme we can identify quite a number of depicted scenes [even though a number of them simply escape us] which gives us a high chance that the overall interpretation is right , but because we cannot afford to be wrong in this important theme we will need more confirmation — which however is surprisingly difficult to find   for some reason the Spells avoided the base-10 theme so that we’re lucky if we find a line like this , PT 497 (see to right in top) , showing “the main (adj.) – 10. as. Horus’. eye.” or “the important (adj.) – 10. as. Horus’. eye.” , [where ‘eye’ means “an important concept”]  perhaps as Eden’s base-10 that Adam gave him ; however the spell is short and damaged so that the embedding context is hard to establish ; wherefore – as usual – we need several spells to see whether it indeed was the Amduat theme

tomb of Ramesses                  (click for large)

 
#2        RE : the Ramses ceiling
 
looking again at the KV9 tomb of Ramses ,     
– the upper half is the now matrix base-12 with NUT as their Torso-construct     
    [the “bubble” as the matrix-house created above the house of Eden’,     
    showing inside her 12 red suns as the zodiac into which their Torus is anchored ;     
    though this upper half has a couple of boats these are notably different as those in the lower       
    half where here the boats are ‘filled with gods each bearing a name’ and in every case here     
    the main deity Horus stands under a different type canopy [-which must be their Torus] ,
– so that the lower half *must* be the base-10 side depicted in the ‘ten boats’ :     
 

as ten boats different like those in top :   all show the same figures and symbols        with the same phrase right underneath        [but further down the scenes change] ;

     
 
#1  upon each boat stands a rather ‘square’ shrine (‘house’) that may indicate ‘Eden’      
        since the matrix is a revolving serpentine realm and does not know ‘squares’ ,     
        but note how the square shrine stands within “rounded figures enveloping it”      
        which even more so is the situation of Eden ruling the Behemoth & Leviathan realm     
        that they considered to be theirs since they captured the land as the shore of Heaven ,
#2  and related to this ,     
        each boat seems ‘to hit a block in front of it’ which however is a ‘corner glyph’ which     
        rather sure is “an eden concept” so that ‘the 10-fold eden root’ may show here
        and though also three boats in upper half have that corner that is a related theme] ;     
#3  the child on top of each corner ,     
        must indicate that these roots will be “(re-) born” in order to be “matrix-youthfulness”     
        where the ‘child with finger in mouth’ is the same depiction as Horus’ red sun which     
        is the copy of the captured Eden-star ,     
#4  the child sits next to – as it looks – the H’A glyph as “dimensional-background (‘eden’)”      
        which makes Sense since that corner wás of eden ,     
#5  so that “the large plant” in the prow of the boat either is the AKH glyph “to flourish”      
        or a combination with the glyph for “the royal north” ,     
        intending to say “that these roots will make to flourish their north” as their Torus house ;     
#6  these boats have no rudders ,     
        implying that they “do not create anything but are used to create with”      
        and accentuated by the “to follow” glyph standing upright in the back of each boat ,     
        since they as base-10 will need to become part of the base-12 that the matrix will make ;     

#7  but a great help to us ,              is the identical line shown below each boat ,              having ÁKHEM [… difficult to see ..] + stars ;         and where the ÁKHEMu-SEKu are the stars              outside their Torus as “those in outer Space”,              the glyphs seem to show URTCH that would              make them this class of stars ;                 >>              in truth we always had problems identifying               this class of stars (and also shown ‘singular’)              where the “passive” glyph , the sitting figure ,              made little sense in case of a matrix-concept              yet this is the same now passive base-10 !              their reading is not easy ,              but the now divine / passive (adj.) / stars /               (of) the (eden-) hand (the Sanctuary !)     +

        (fór) great (matrix-) speech / (that are) nót part of the (matrix-) KH-house (ÁKHEM+)” ;     
        ofcourse it would help us even more if they just said “(10-) stars” but perhaps that would      
        confuse the base-12 they made from these ,     
        where alternatively — since we need to stay honest — these also can represent the Zodiac      
        now as “twelve stars” outside their Torus that they only need to anchor their Torus into  ;     
        either way , whether this URT’ glyph was 10 or 12 ,     
        it is a major indication that indeed we have the eden base-10 in these ‘boats’ ;     
#8  and finally ,      
        the glyphs above “the two sailors” are virtually erased but may read “pool” (‘realm’) as     
        the Behemoth and Leviathan realm that were guided bý the original base-10 ,      
        where the “to follow” glyph behind the second sailor may indicate ‘Leviathan following     
        (the masculine-) Behemoth” as the now-corrupted conscious-leading-realm ;           
        and though this point #8 is an assumption it may be true because ,     
#9  in each shrine stands the ancient god KHNUM holding a sceptre probably as the UAS     
        that represents the eden-sceptre stolen by them —      
        in the but few available spells about him he is said “the have destroyed the SH-pool      
        (‘the eden realm’) so that the beloved matrix-dimension was built (-but by eden !)” ,     
        wherefore in these depictions the matrix already captured the base-10 that is ready     
        to be “transformed” into the matrix base-12 ;     
        while in front of him a woman (?) holds the ânkh-symbol but because she like ‘bows’      
        towards him it can imply “that she is about to receive ânkh life” ; where (if true) the      
        female figure would support the interpretation about ‘Behemoth and Leviathan’      
 
        falsification of the above :     
        as with most of these depictions all we have is our common sense while interpreting     
        the shown scenes according to the themes we learned in the Scroll ,      
        and though – sadly ofcourse – we can be wrong , just Too many aspects here confirm     
        the concept of an original base-10 that was changed by them ,     
        not in the last by a repeated phrase in the upper (base-12) half that appears to read     
        a [by means of] the 10. being tied-together (THS-T likely). [to?] the (matrix-) hour.         
        where “the (matrix-) hour” – and singular – can be “the cóncept of their (12) hours”      
 
        text sections :
        though only by extreme magniification it is somewhat readable not everything is of 
        interest for us — like the ‘praising sections’ (though it does not show “victory” like in the
        Seti I & Senenmut tomb , as their victorious base-12) ;
in the upper section , to right of Nut eating a red sun , 
the island of the horizon (‘gate of mystery-Babylon in centre of the torus’).
for (?) (‘side’?). the stars.  by (?) the double one (‘binary’) of the dimensional-background (‘eden’).
[now as?]  he [=they] . the (matrix-) divine ones.
[through which-]  has become (?) (ÁU) (adj.) – the (matrix-) dimension. , 
[then it has ‘a four-fold (?) star’ and “Ursa Major” but impossible to see]  ; 
the horizontal section to right of that ,
[lower line is impossible , then the middle one :] 
the double-one (?) of Áment (‘the West’). the island of the horizon. 
speech. the NUH’ cords. (eden-) existence (?). to sacrifice (MAÂ). , 
which is. this (?) (PF?). (matrix-) hour. 
[as]  existence (?) (N?). in name (REN) of. [upper line :] 
the [.. ? ..] . [of]  (matrix-) beauty (NFR). 
[by means of] the  10. being tied-together (THS-T probably). [to?]  the (matrix-) hour.  [A , see B below] 
[by?]  the (matrix-) HQ (‘Orion’). 
as (?) (M?). the ones of (matrix-) peace. ,
for. to make to build the (matrix-) boat (‘their construct’). [end section] 
in the standing columns to right of that ,
existence. this. fire-drill boat (‘the stolen-sceptre now at Orion attacking eden’) (TCHAT+).
[at[ the (matrix-) HQ (‘Orion’). 
for (or ‘dimensional-side’). to open (-something of eden) (UP). 
[in order for?]  the 10. being tied-together. [to?]  the (matrix-) hour (?) (NUT abbr. of UNNUT?).          [B] 
 
        you see we’re not doing só bad , 
        it’s just that we would need much – and properly showing – text to compare the 
        contexts in them , not in the least because “each mural has it’s own text style” 
        (like for example the PyramidTexts have their own ‘style of writing) which takes 
        time – and enough text ! – to get the peculiarities of it
        as in the example next :
 

#3        the Denderah Zodiac
 
        interesting here is the typical Egyptian year-count through “(36) Decans” (‘tens’)
        as 36 weeks each of 10-days greatly supporting the idea that they used base-10
        to get to their base-12 Zodiac ;
        where the decans show as “standing upon the ring” and within the ring show the
        related Zodiac signs with in the centre Ursa Major , as a view ‘towards the north’ ;
 

but sadly here ends our observation         because the text is very unreadable :         or better , the line-up of glyphs does         not make much sense and looks as         if an idea was presented by placing         key-words into a string but without         caring for the reader of them ;         another problem is those that ‘hold’         the ring which seems to derive from         the captured Eden-star concept but         too nonsensical (and unreadable) to         can make out any origin           it shows “lights of gold” (NUB+) as          a returning phrase in this theme         where B is ‘solar plane’ : as their          type light by their base-12 ?

 
#4        the coffin of Heter
 
        it has a similar type buildup as above — at the centre is the goddess NUT representing
        their Torus-construct itself and directly surrounded by the twelve signs of the Zodiac ;
        to the far-left and -right of her show 2 x 12 hour-goddesses (the ‘twelve’ and ‘twentyfour’ 
        also show in the Senemut tomb) while the four corners must be the same idea as the 
        four main goddesses holding up the ring in the Dendera ceiling ;
 

in spite of an enlargement click         also here the line-up of glyphs         is difficult to follow ;         above NUT shows a light-glyph         as ‘the matrix-light in the Torus’         that “is birthed” within her and          perhaps as “golden (-light)” by         the glyph NUB ;          the ‘Bennu / inside / the dome’          is also visible as the bird that         is the copy of the Eden-star

 
        the four corners are those “of the winds” but because we haven’t figured out yet how
        these can relate to ‘light as a base-12’ the glyphs there make little sense ;  
 
#5    the Esna zodiac 
 
        both the NUT ceiling and the Dendera zodiac suggest an original base-10 upon which
        they created their base-12 realm and the ceiling in the Esna temple should confirm this :
                                                                     (enlarge)                                                      linear zodiac at the portico of the Esna temple      
 
        in this depiction the sphinx (in the green circle) leads the procession , 
        and behind it comes Virgo as the first sign that ends with Leo (shown in the upper register) ; 
        however ,
        something happens at the U-turn (blue arrow) as two beings holding up ‘two vessels (pots)’ 
        as if offering them which per context may represent “the binary Eden-sun and moon” as the
        captured two stars (‘vessels’) that were added in order to máke their base-12 zodiac ;

to right :          the two beings offering the two vessels ;         the glyphs make little sense but perhaps they represent          how the binary is captured first as the snake that writes         SHETH plus ‘something’ written next to it ,          as the (double-) star / of ? the turtle (eden house)          where SH-TH in the dictionary shows as ‘turtle’ ;          then the lion here may represent “the sanctified binary”          the star / (as) the foundation / for the (matrix) flesh           if the glyph reads GER-T and not KHER-T ,         the star / the one below (eden) / (for) the flesh ,         and though written singular it are “two” vessels

similar depiction shows in ‘the 12 Amduat hours”         where in the upper-register of the third hour          a god and a goddess “bring two similar vessels”          and the glyph ÁN ‘to bring’ suggests that it is an         Eden-concept that they intend to re-use ;

 
                                                                                  conclusion – so far
 
        we’ve a lot to find out still ,
        but the  PATTERN seems to be correct – which is the most important because now
        we know what to look for on the endless miles of glyphs and many murals ;
        to add here one more important aspect please ,
 
                                                                                             part II
 
        their ‘house’ (Torus) fróm the ‘7′ and ‘10′ (now 12) of the Eden house
        after the above please   —
        we know that the house of Eden was ‘powered’ by the sceptre (‘axis’) over the 
        sanctuary of God that conveyed “the seven-fold fire” creating the Eden-realm  
        itself “as her dimensional-place , her heighth and width” unto the Star on top of 
        him that created the base-10 as the Eden ten-months year ;
        but Adam’s 7- and 10-fold revenge upon Eden meant that the sceptre would 
        be stolen also — now at the constellation Orion and powering their Torus , 
        while his star on top of him was captured now powering the nature of their Torus
 
        please remember that by both stolen aspects they built their Torus ‘house’ 
        as the ‘bubble’ in Space stretching from Orion until Ursa Major , and as a region
        full of stolen Eden-aspects with mystery-Babylon right in the middle : 
 

the ‘hippo’ both in the Denderah zodiac and in the         Senenmut tomb “chains” Ursa Major depicted as         having ‘seven stars’ ,         implying that ‘she’ makes “the dimensional-space”         in which their Torus-construct can exist ,         after which the Torus is anchored into the stars          through her now 12-base Zodiac concept   —         we feel it’s true but this needs another page xxxx