waiting to see a ’12’ related to the matrix Zodiac since that is the theme these days , or alternatively ‘a floor’ , these ‘three colours’ above ‘humanity’ could have been a reference to “the triple realm” (Trita) of the matrix ; but this result seemed .. a bit meager , and how could Esau nót exploit such great podium for his poison ? or did he learn to conceal his intent better (-for us) ? – until this showed , left picture in downright corner and a blowup to right :

 
it unmistakenly is ‘Mithra’ also because of the typical Phrygian cap ,
but important for us is that he represents base-10 as the number of the house Eden
that Adam sold to that evil serpent-race , so that they DO use base-10 but covered it
up with their Zodiacal base-12 in order to have Eden in their ‘dimensional-background’ ;
in Rgveda the dual deity ‘Mitra-VaruNa’ has Mitra representing base-10 (and multiples)
while their own deity VaruNa respresents — and literally so said — “the 12 months” 
 

okay , but what next ?  did they “light up two cauldrons in two separate places” in order to double “the five olympic rings” into a ‘ten’ ? or – and more likely – Mithra ‘covered’ the 10 already  and on purpose they split the theme  like the intent of the Sumerian / Assyrian Akîtu-festival to fixate them apart so we wouldn’t bring them back ?

the next theme is ofcourse inherent to “the olympics” but ‘the lighting up of the cauldron with a torch’  (as that ‘thing’ in the center) especially in this Mithra  context is the ‘7 Torches igniting this (matrix-) sun’ ; where both people stood upon a clearly marked floor that nausatingly slow ascended unto the object  — to have people shout “oh c’mon light it up” as urging the crystal floor to power this sun (which it does) ..?  not by coincidence , this would match the chosen place of the scene as  the “triumphal arch” where this Ritual would secure the matrix of her beloved sun nót going Dark

 
        [perhaps Esau even intended the scene as “the pit in which they placed the floor”
        but let’s not make things too difficult — the core interpretation is most likely correct]  
 

that the lit object in the gate WAS ‘this sun’ proves the earlier scene with the same object positioned  between planets — and perhaps that is why there  was no need for a 12-base representation of the  Zodiac since this theme would also cover these —

 
added : the NFL halftime show :
 

only short please – first because it sucked big time but also because we can not fully próve the theme ; to us it seems to be part II of the olympic one  here with an unhealthy obsession for ‘reeds’ which can depict ‘the Field of Reeds’ as their paradise of  mystery-Babylon shone upon by the (saved-) sun ; where small clues as piragua slang for ‘pyramid’ + ‘water’ IN the field suggests the dimensional-pyramid upon which it sits ;

 
the link to the olympic one can be the shot of “the frog watching the event” 
where (for unclear reason) frogs in Rgveda ‘announce the matrix new year’
so that we are back to the base-10 theme as the original year of Eden ;
where in the field sellers try to sell ‘watches’ as the same component ‘Time’ 
 
related to this — and to “the sun (not) going Dark” at the olympics ritual —
was the opening of the handball game by ‘the band Green day’ (or whatever)
that ‘sang’ (if one is deaf) about “Armageddon and the end of time”

perhaps there was more
but we’re off taking a shower feeling dirty of having had to watch Esau’s cr**