at this point , we cannot afford to make mistakes   — because this book is arguably the most difficult one to date , it needs a short intro please so you can follow the buildup ; though we understood (large) sections of it through the years it’s fair to say that the clue escaped us – until now , since the goal only makes Sense if it’s the 10 / 12-base one ..   to serve you we put the clue at the first series of pictures  as not to ask you to wrestle through miles of text , first ; for background , the entire Amduat book in (this) link and for an overview of the hours as drawn pictures see (here)

base-10 : of Eden !

 
 
                                                                                                    theme
 

… the concept is so extensive that any normal person    would lose oversight quickly , and what Budge tried to    explain (though wrongly) in hundreds of pages about    the contents of each hour we have to do in one page ;    one of the key components is the division of each hour    in three ‘levels’ (‘registers’) where the lower level is the    situation of “staeling from Eden”, the middle one their    transformation of booty and the upper one the situation    of completed mystery-Babylon ;

example : 4th hour ,             opening of the Eden gate   [note the serpent with 14 heads      as the Eden-concept of the full   and half-moon at the 14th (!) day]

 
   it took years to identify the main themes and we’ve a 
   pretty good overview now — but there still show many 
   obscure (matrix) deities of which we’ve No idea what 
   they can have represented ;
   we will go through the relevant hours (with pictures) ,
   but first the overall buildup which is like this :

   where we assumed “that they copied an Eden 12-base” this showed to be not true ;
   when searching for the origins of “the 12 tribes” this Amduat would heavily decide
   whether the ‘12-base’ was of Eden — or not , and because ‘12’ DOES show in the 
   lower register of the 7th hour , and through its composition , we thought of ‘a copy’
   but that is not sustainable considering the overall buildup ;
   second , no clear ‘eden 12’ is being murdered , which is important : many scenes
   are “slaying certain concepts” but in the important hour 7 that does not happen ;   
 
   then the for us important ‘10 stars’ (-and a problem) :
   so if the ‘12 hour-gods’ (in 7) were possibly NO “copies of an eden 12” 
   then we needed ‘the 10’ — and 10 gods do show in the lower register (in 12th hour) ,
   but the text was so general that not much could be made out of it — while they still

were ‘matrix-gods’ as not exactly an Eden concept ;     going one hour back to the 11th , this scene ,    >>    it shows eight stars yet upon the serpent sits the    figure of “a mummy” usually as “being helpless”     while the serpent is called “stars + SHT’u” as the     root meaning “to seize” often used in eden context ;    so something wasn’t right here     —    we use Budge for obvious reasons and shown in    his dictionary (p.758) is that serpent and ‘8 stars’ ,    but how come the drawing of Shedid has “10” ?

looking for the original versions of Amduat     they also show 10 like the one upon which Shedid                    based his drawings (for Hornung 1999) and in an     even older version ‘10 red stars’ are clearly shown    (and the extra two are above the serpent’s head) ;    now ,                                                                                                   how could perfectionistic Budge have missed it ?     we still don’t know whether he was a serious soul    tricked by Esau to read glyphs the wrong direction    or that ‘he was in on it’ — but missing this vital ‘10’     reeks like a deliberate cover-up ,    since this scene turned out to be a key

for large , (here)

 
   for the 10 is ‘of Eden’ !
   because the text show “the root (of) – ‘the one’ ” 
   where ‘the one’ is an euphemism for ‘Eden’ while
   the subject is “those 10 stars” , 
   THAT is why those stars “have to be seized” by
   themselves — to implement their new 12-base ! 
 
   in fact a double-headed figure stands next to the
   serpent , indicating that their original base was ‘10’ 
   and they still use it , that is , as hidden origin that 
   is their Legal Right to present their new base-12 ! 
 
   but it gets better : the ‘new-moons’ : 
   in the same 11th hour                                                                                                                       [top-left section >>] 

show the serpent & ten stars in the upper register    and the boat of ÁFu-RÂ in the middle one :    ÁFu is covered by the matrix-serpent MEH’EN as    a canopy around him , this serpent representing     their to-be built Torus (-wall)     [like NUT was that Torus in previous ‘10’ page]  ;    and the magical boat is towed by twelve figures     that carry “windings of that same MEHEN snake”    so that their Torus has a 12-fold base ;    at the prow of the boat shows “a moon depiction”    named with the glyph “stars + PEST’ ” indicating    the subject that the twelve carriers hold up ,   >>    yet you see that same ‘light-disk in Tuat XI’ linked      to the secular “first day of the month (sic)” ;    [where PEST’ in Spells as “backbone” refers to]      now ,    since glyph T’ and TCH are often interchanged    the PES-T’ turns into the PES-TCH cluster that    álso has “backbone” but for us more important     the “new moon festival” ,    >>    which is the answer to the light-disk and those    towing the boat : 12 new moons of the Torus !

 
   falsification :
   combined with “the 12 rudders” for their realm 
   and other aspects the premise here feels Solid ;
   yet though we know that they “juggled with numbers” to get to their ‘12’ 
   as using their ‘3-fold realm’ (‘Trita’) to multiply it – for example – with “a stolen 4”
   (which can be “the 4 eden-chests” in hour 7 , it is difficult to follow how exactly
   they can have proceded but because of the sheer amount of deities & concepts ;
   going the other way around ,
   Coffin text spells 154-160 and 155 “the new moon” seem evasive because no 
   number ‘12’ shows directly , but we look at them again ;
   while we have a good chance with one of two ‘astronomical ceilings ‘ loosely
   based upon this Amduat but showing 12 circles of which two are ‘foreign’ ;
 
                                                              short breakdown of relevant hours
   
#1  FIRST HOUR
names     : most are undoable
important : the 12 in UR and LR
target       : the gate (the eden-binary)
buildup    :
… though reading it over and over again
nor the 12 uraei nor the 12 goddesses 
in LR seem to be related to Eden ;
where the main text constantly refers 
to “the opening of the double-door” that
is the eden-binary sun and moon which
like in Rg-veda they wanted to have 
likely as the 2 to make their 12-base 
and hence the 2 x 12 in lower register ;
— in top-middle-register to right is a figure holding a knife and called II (?) UNNUT TCHA
     where perháps it shows ‘II’ (2) if you blow up the Budge PDF to maximum , as a very 
     important detail for us : “the double / (matrix) hour / to fire-drill (eden with)” because
     he is about “to slay an eden-concept” while he himself is a matrix (hour) star ;
     while the upright standing serpent behind him is called SA “the son” and at his head 
     shows “the stars / (for?) to fire-drill” : the concept of “standing upright (at matrix-vector)” 
     is often about re-used Eden concepts so that this *may* be about ‘the eden-binary’ ,

combined with the long main text about the ‘double door’ ;      in this depiction , at the register having the Kheper boat      of transformation (is about the binary that will belong to them?)      at the rightside shows a sigil that does not in Budge’s version ,      as a tree with horns in top and above that the Djed-pillar       with two smaller serpents halfway – an otherwise uknown sigil ;      but the staff itself can be the eden-sceptre , the serpents the

     binary , because the horns mean “to open (eden)” and in context “by the binary” as the
     double-door , after which that entire Vector will become “the Djed pillar” ;
main text :
only phrases (start p.18) ,
[to be]  the great this (matrix) god. [by]  the double (eden-) root for (matrix-) willpower to come. ,
[as]  these ones (‘the binary’, probably) [now as]  the ones of the solarplane-shore (ÁTEB+). ;
….. [in order]  (eden-) existence. to seal shut (sic) (KHETEM). ,
       [and by]  these doors (‘binary’). (matrix-) existence. to grow (-to their north). ,
       [and by]  this. ÂRRUT gate (sic). (eden-) existence. to battle. ; ……… 
         the ‘to seal’ is linked to “concealing eden” , see next ,
to be the seal óf (?) the finger (-of 10,000) (?) (TCHBÂ+). [for]  (eden-) existence. to strip. ,
[…]  [and]  (eden-) existence. to hide. by. the divine island as the one of the solar plane (BT+). ; 
here ,
the “island” is the annexed ‘place of the binary” as the place here called ‘the UR NES pool’ ;
curious is the ‘seal’ with value ‘10,000′ , as the “finger” glyph TCHBÂ , but it’s difficult to see
whether ‘finger’ is a matrix or eden-concept — though it must be “an axis” ,
reading “the (10,000) finger / (of?) (eden-) willpower / (for) the solar plane [+tch] ” 
but we don’t know how to interpret this base-10 glyph in context ;
yet having put it here because they still have the ‘10’ as we will see ; 
[and by]  thou. boat. [to be]  thou. (matrix-) peace. , 
[by to be]  the (matrix-) hours (as) the fire-drill (-for eden).
[by means of to ?]  the one – (and) the one – to connect to (TH-TU-TU).                              [< the binary] 
[and so]  the (matrix-) day-light (HRU). thou. to bring (-to the matrix). ;   
it doesn’t run fluid but probably correct ;
        …. thou. double (matrix-) uraeus. [as]  the double son to tow (-to the matrix).      [< sun & moon] 
        [to be]  thou. one (‘binary’?) of eden-within (-the matrix). , 
        [to be]  the (matrix-) hour. [by]  the (eden-) one to come. for. to guide (-by the matrix). ; 
        here ,
        sadly it doesn’t say “2 hours (-of the 12 they want)” but the binary theme was clear by now ;
[for]  the divine spirits (‘demons’). thou. (matrix-) existence. to illuminate. 
[by means of]  thou. the serpent-ones (‘moon & sun’) to open (‘open Eden , SENSH). ,
[….]  [and]  by. the double-door (‘binary’). [of]  thou. (matrix-) existence. ,
the things of (eden-) existence. to open (-eden) (SENSH). ; 
this
is the theme in the Scroll of “who of you will close the double-door for Me ?” ;
next , several lines about the double-door are repeated , and has no spectacular theme further ;
perhaps of interest still is that this place is “a field” , p.6 ,
[as]  (matrix-) existence. [in]  name [of] . : the divine double flame (‘eden sun & moon’) NEBÁ. ,
where ,
the ‘in name’ often means “a re-used eden concept”
and NEBÁ is “the double-one of hail / for the solar plane / of (matrix-) existence” ,
[while this ‘place’ is “300” and “220” stadia — but we don’t know what to do with that]  ;
conclusion of hour 1 :
… this was a bit long but we need to be sure that we got it right ;
also considering Rgveda “the binary” – to gate – was the first thing they annexed 
[where in the next hours they will descend to the Sanctuary]  ;
it tells nothing about “Adam giving the ‘10’ to the locust chief’ (-ofcourse) ,
except if that was hidden in the mysterious ‘finger’ glyph ;
 
        #2  second hour :
        preparations for invading the sanctuary
        by bringing in foreign concepts as their moon (matrix gate) ,
        #3  third hour
        preparations for invading the sanctuary ,
        playing with numbers ,
 

#4  FOURTH HOUR  important : the serpent with ’14 heads’ in LR , theme : the 14 days to new moon / half-moon , buildup : like in hour 11 also here Budge wrongly counts stars describing “six stars and fourteen heads upon the  back of the serpent” where there are 2 x 12 ,        >> but the depiction is tricky : the serpent faces backwards as “countering Eden”  with a name SA N MEN SA MENUT ,

as “to come / the daily sacrifice (?) / (for) the son / (as) stability of existence / (by) the son” ,
what is ‘daily sacrificed’ are ‘the 14 eden days until the moon-phase’ but since Eden starts
with her full-moon they need the 14 days until she is in the new (empty) moon 
which in turn will be théir full-moon — as ‘inversal’ to get their dimensional-Dawn 
[hence “the 12 hours of the night” as this book is called – to become matrix-Dawn]  ; 
the text next to it is not too clear ,
the MENMENUT (-serpent) to come. [for]  the ones (‘days’ probably’) above (‘North’). 
[in order]  for. (matrix-) speech to manifest. , 
[and]  Kheper (‘transformation’). the (matrix-) ones (‘days’) to birth. ; 
[and by]  speech. every. day. [… ? …] . the ‘lights of PEST’ (‘moon-light’ ?) ………..
        here ,
        glyph PEST’ will again appear in the 11th hour there linked to “12 moons / months” ,
        so that though “14 days” here it must be about “the intensity of the moon-light” 
        but ‘of the Eden sanctuary’ not of “the moon of the binary” ;
though we have more problems here : obviously this is a 7 + 7 as God’s number ,
and perhaps they needed to steal this first before the other 7-fold concepts (fires, Torches) ? ;

2) to right of the serpent an enigmatic small section with a guy “pointing to above” probably as the 14 days that have to go ‘to their north’ : the same pose also shows in ‘the astronomical ceiling’ (that will  be the next page) and the figure must be “Orion”  because of ‘sky-dome + HQ” ; however agáin Budge has a strange legenda not  matching other ones that have next to Orion the intent of the action here ,

“(for) the empty (matrix-) one / the (eden) one to sacrifice” 
showing ‘the PEST-light (‘moon-light’) / for / the (matrix-) year” ;
the problem is ‘what is the winged-disk’ doing here for that is the Bennu theme as their
copied light of the Eden-star (as the theme only in hour 7) , but perhaps the 14 days 
also influence the Eden-star and consequently ‘the stólen 14 days their winged disk’ ;
 
        #5  fifth hour
        invading the eden Sanctuary ;
        the 4 heads to let is “the four cherubim” theme 
        and the “star” to right of the circle is the eden-star that will be demolished in next hours
        and already shown as “upright standing serpent” as the star that will wander-astray to
        their north (and it shows the ‘wander-astray’ glyph SHEM) ,
        as the eden-star that will be imprisoned in the BENBEN pyramidion ; 
        #6  sixth hour
        absolutely unclear ;
        it’s a lot of talk about “the (matrix-) south & north” and a (uraei) region (?) inbetween ,
        perhaps as redistributing the registers : the middle register becomes ‘south’ (SHEMÂ) ,
        the upper register “the middle” (because mystery-Babylon rules the middle-realm 
        after Eden fell) and everything abóve mystery-Babylon is “the North” ;
        in LR ‘the serpent with the 4 heads’ is ‘the 4 sons (locusts) of Horus’ intended here
        as ‘to-be matrix cardinal points’ in the north , as “the intestine (solar plane) to guide” 
        but nothing is said about their origin ;
        2)
        this may be the origin of their weird ‘Ennead’ (9) concept as 3 x 3 ;  
        adding this option for future reference ;
 

#7  HOUR SEVEN themes : Eden star & 12 hours [MR & LR]  buildup : a) of the eden star : as the serpent thrust with 6 knives in his back and Eden-orientated because facing to the left (like the 14-heads serpent) ; this looks like what Rgveda did dividing the 3 (animal-) faces of the Eden star into three mothers and three fathers as the masculine & feminine aspect of the three faces ; the name of the serpent NEH’A HER is translated as “ugly face” but apart from having a ‘star glyph’ (sic) its name    >>

the ‘star serpent (as) the face (in) the background (‘eden’)‘ 
and ‘ugly’ because they hated the star with her cherubim
animal-images surrounding it ; 
the text has (p.139) ,
the star-serpent Neha-Her. the one. to mutilate.
[in order for]  the (matrix-) HÁU-serpent to come (‘eden-light (U) for the matrix-house-H’).
        but it tells nothing about ‘3 hateful images’ ,
        and though “this place” is “a (matrix-) star gate” that is “making speech (-by eden , ÁR)” ,
        it is not clear how “(matrix-) Sorceries” or “words of sorcery” relates to this :
        we saw in Rgveda that “the speech of the animal-images was eden-sorcery” as they call it
        and indeed the images were ‘repelling the matrix’ with speech ;
        it may say “that now it has become matrix sorcery” but the reasoning is unclear ,
        though in the boat “olden matrix-sorcery” seems to power Isis using (her) sorcery against
        the eden-star , and all three glyphs also appear in the text above 
        (perhaps they now have power over the star since they just before invaded the Sanctuary) ;
and about this latter (p.141) ,
Neha-Her. to repulse. [by]  the (eden-) existence. [of]  he. to know (‘to can abuse’). ,
[to be]  the one (‘eden star’). nót. ;
        … [for]  the (matrix-) land. by (?). the (matrix-) sky. [..]  [to be]  the (matrix-) light (‘Bennu’?).
        [as]  (matrix-) existence. [by]  the (magical-) boat. [of]  eden-within. , 
        … [by means of]  the double one alike-eden’s. [for]  the (matrix-) land. ,
        very veiled – but must be about the winged disk now from hour 5 ,
        since that was THE goal of stealing the star ;
[and]  by. the one (now) of the West. (eden-) existence. to seal (KHTM, we had that). , 
[as]  ÂPEP (‘eden-realm’). to repulse. 
[by]  (matrix-) existence. [as]  ‘the masculine and feminine (‘matrix-) sorcery’ (?). ;
as a weird double-glyph ,
also appearing in next line as “(for) ‘the female & male sorcery’ to be the words of sorcery” ,
and though we’re not crafted in that the difference ‘according to nature’ makes sense ,
and can well be related to “dividing the animal images into mother and father” !
in 143 , above Neha-Her ,
[and in order]  (matrix-) existences to make (‘as concept’). , 
the (now matrix-) sorceries. he (‘Neha-Her’). to give. ;                                                                                         [sic] 
        … [through?]  the divine he the TES flint-knives (‘that he is stabbed with’) , so there IS a relation ;
        perhaps also because “a goddess” (Serket) and “a male deity” fetter Neha-Hra ;
continued , 142 ,
the aspect. [of]  him. to devour ,
[to be]  (matrix-) existence. [of]  he. the word of hail. [for]  he. the (matrix-) speech. ,
[and]  the divine (matrix-) things. to guide. 
[by]  he. the words of (matrix-) voice. [for]  (matrix-) existence of hail. ; 
then a weird phrase ,
        [to?]  his. width. [of]  440. cubits. [he]  440. cubits. [this]  to tie-together (to). ,
        [as]  (matrix-) existence. [in]  name [of] . :
        the pool of the (matrix-) dimension (of?) the word (as?) the fire-drill. 
        [in order for?]  the Tuat-house (‘in Torus’). [=to be]  of. eden-within. ;  
        it’s not ‘a field of 440 x 440’
        but ‘something tied to 440 cubits as 4 x 10 + 4 x 10 x 10 ? 
        and what is “his width” ? the width of the span of the eagle-like image around the star ?
        and they now “make a square” to double those numbers” ? [into ‘1000’ ?] 
        while in next scene they remove the factor 4 ? :
2)
the ‘4 coffers’ — Ark related ?
first four goddesses with knives , called ‘destroy’ and ‘disassemble’ etc ;
but note how the 4-fold chest looks like the Ark – with two figures on top , 
where we saw that indeed the Ark was the very core of the eden-star ;
the “sand” in each of the chests are “eden lights to create with” (not ‘of Osiris’ as Budge has it) ,
like the “sand” mountain in hour 5 above the opened Sanctuary ;
and here the chests are guided by Tem, Râ , Kheper and (for) Osiris ,
but Budge omits that these “chests are opened” glyph UP ,
in order “(matrix-) existences to make” by “eden-existences to make / to devour” (p.145) ;
and the curious phrase ,
[for?]  the Tuat-house. [..]  ÂPEP’s. light-particles to slay (‘sand’ related , see chest’).
[and by?]  the one (‘light-particles’?) speech to make (-by eden) (ÁR). ,
[as?]  he the Self. this. (matrix-) god. ; 
we still search where their ‘Self’ is coming from ; 
        next problem is that we don’t know what happens with the chest , after this ,
        whether “it wandered to their north” (the serpent in hour 5) ,
        and what about the eden-virgin ;
 
3)  the 2 x 12 hours in lower register : first the ‘male stars’ :                                                                      <<<<<
here we went wrong last time  —
though the ‘male hours’ face left they can hardly be ‘copies’ of something of Eden ;
considered the middle register they used “the male & female theme” together with sorcery

in order to ‘make a 12′ (from their 3 and now captured 4’) ;  before a seated Horus having the UAS (stolen sceptre) ánd the sun upon his head (the stolen eden-star) stand the 12 male stars facing left – so ‘related to eden’ ;    >> they should – as idea – contain ‘the binary’ of hour 1 but that cannot be made up from their names , however in the text shows a II he “the two of he (eden) ;  the text above Horus is compromised , p.154,

the Tuat-house. [by]  the (matrix-) hours (‘the first 12 males’). […. ? ….] .
the one to make (?). [by?]  the (combination of matrix & eden-) stars.                                              [glyph -I]  
[for]  to [+make to (+S)?]  come the (illegal-) (matrix-) dawn (‘by fornication’) (NEHEP). ,
the Tuat-house. [.. lineup wrong 2x..] . the ones of matrix-nature. to guide. ,
[and so to be]  (matrix-) existence to become new. ; 
where ‘the combination of matrix & eden stars’ could show in the text of the stars ,
        [by]  the island of the horizon (Horus’ gate below mystery-Babylon). [to be]  all. (matrix-) peace. ,
        implying ,
        that Horus’ gate directs the stars — and that looks like ‘the Zodiac’ already ;
        … [to be]  the (matrix-) sky (‘in the Torus’). [of]  eden-within. , 
        [by]  these. stars (or ‘hours’). [of]  my. (matrix-) existence.
        but then a problem ,
        [as]  the divine ones to stand upright (-at matrix-vector).                                [only the 2 – or all 12 ?] 
        [as]  these. [by]  which is. (matrix-) peace. ;
        [for]  as. the beautiful one. [of]  the West. [by]  to come the (eden) root (for) (matrix-) willpower.   +
        [to be]  speech. [by?]  the II (‘double-one’) (of) he (‘eden’).   +
        [of]  (eden will-) power. [for]  (matrix will-) power. ;
        … [by]  these. (literal-) stars (SBu+). [for]  this. (matrix-) peace. ;
        and finally he seems to differentiate again , in top line ,
        [to be]  these. (stolen eden-) aspects. [by]  (eden-) existence. to sacrifice (MAÂ). ;
        [by]  the stars (and the other) stars. [as]  the gods.    +                                                   [star + i & star + u] 
        [to be]  the house of // the Tuat. [of]  Horus. ; 
        the writing as ‘house of // the Tuat’ means something is going on :
        perhaps these now are “stars in Space” (Zodiac) which do not fórm the Tuat
        but are keeping the Tuat (Torus) in place — hence the // ;
yes it’s all a most abstract read but we need to be sure ;
 
  3-b) the 12 female stars :
  … fortunately we can be short about these — because they are ‘women’ things can be ‘made of them’ 
  showing in [by]  these. the images. [..]  [for]  (matrix-) existence. to acquire. ;
  and that for to battle (eden) ; 
  it is not said what images but “12 hours (x 2 as 24)” sounds plausible as does “the Zodiac” 
  and concepts as “the 360 degree circle” or whatever may be base-12 ;
  the interpretation can be right because in hour 9 they start constructing their Torus ;
 

3-c) the crocodile in front of the 12 female stars : color , this is more tricky  — a crocodile is a ‘powerful guard of a realm’ (like the 4 cardinal points are ‘crocodiles’) and he seems to be guarding the women but even more “the eden realm” (the sand) and he is called “the (matrix-) horn” ÂB” ; it’s possible that he ‘devours’ the eden-light that feeds and regulates the (eden) binary in order to have a constant supply but to be fair that is a guess ;

 
        #8  eighth hour
        looks like “the Ba bird body” being created as the body for the corrupt-souls
        (the ‘sons of Ammon’ aka sons of Adam) and especially their ‘authoritative voice’ 
        by which they can steal (invoke) eden-aspects and “create with them” 
        especially with the ‘eden light-particles’ (the ‘sand’ , SHÂ) ,
        hence many concepts are ‘sitting upon a weaving pole’ ;
        the sections are entered through doors that continue >>> into the next hour 9 ;
 
#9  NINTH HOUR
theme : constructing their Torus — with base-12
the opening text (p.186) talks about 
the images. […]  [for]  (matrix-) existence.
[and so for]  the (magical-) boat (‘Torus’). the divine things to build. ; 
the second intro has ,
[for]  the main (adj.) – (matrix-) land (-of mystery-Babylon). 
[by]  he. the Ba birds (‘hour 8’). to become. the pillared (matrix-) hall. ,
where ,
the pillars may refer to ‘the several axis into Eden stealing from her’ 
but not impossible also akin to Rgveda’s “12 spoked wheel” as pillars into the Zodiac – or both :

a) MR : the 12 rudders :         the ‘rudder’ is ‘a dimensional-anchor’          and the names of these 12 sailors have         several ÁKHM as the glyph that is used         for “the stars outside the Torus” —          making a strong case for “their Torus          being anchored in the stars” here : their names , 1. to inside – to ferry-over , 2. Akhem sek f 3. Akhem urt f

4. Akhem hemi f ; 5. Akhem hep f ; 6. Akhem khem s f ; 7. he – the hour – to ferry-over ;
8. he – the corner // of – the land ; 9. the boat – of peace ; 10. the double gods (?) ;
11. the Tuat-house – as fire-drill boat ; 12. T’epi (links to ‘wormhole’ T’EP ?) ; 
while the text about these (p.191) has ,
the images. by. the Ba-bird. to make to be crowned. ,
… [and]  the rudders. to (?). [..]  the (matrix-) dimension. having been given. ;
… [for? the (magical-) boat (‘Torus’). [IN?]  the (matrix-) dimension (‘around it’?). ; 
 
        b) the 2 x 12 in UR :
        though they are ‘images’ as “built things” the nature of them does not become clear ,
        apart from the fact that they are in the upper-register , the mystery-Babylon region ; 
        all that shows is that they “dress up” the land with “the things of the enemy (eden)” ;
 
        c) the 2 uraei in LR :
        also vague ; (p.202) has about them ,
        the fiery (matrix-) images (BSu). (eden-) existences to make (‘as concept’). to devour. ,
        [in order]  (matrix-) existences to make. [by]  the mouth (‘matrix-gate’). [of]  eden-within. ; 
        perhaps ,
        these are shooting down (preventing) anything that eden would try to go recover ,
        because of “(eden-) things to overthrow (or ‘they falling down’)” 
        and the Hefat-serpents (‘some mixture’). to repulse. , 
        and (eden-) existences to make. to mutilate. ;
        either way they – as 12 – do not seem to be related to eden in the slightest ; 
 
        #10  tenth hour
        theme : the stolen sceptre (‘eden axis’) and their Bennu winged-disk
        though in different imagery here — in UR “the sun upon both serpents” is the winged disk
        and the sun upon the axe is the sceptre ; where Neha-Her (‘the eden-star’ from hour 7)
        appears (in p.214) from which both come , and – likely – the stolen sceptre now is hurling
        the “arrows – (to) below (‘eden’)” ;
        but the rest of the scene , especially ‘the swimmers’ : No idea ;
 
#11  ELEVENTH HOUR                                           [the ‘10 stars’ & PEST’ moon-months , see top of page]  

hoping that the interpretation is right   —
and also because we wánt to see the “12 months” theme here ; the -S can be ‘doorbolt’ 
(and not ‘(corrupt-) soul’ for that makes little sense ;
the “door bolt (as ‘paths’) agáinst the eden-dimension” can be “the 12 spoked wheel” -the Zodiac ? ,
also because of “the 12 towers” in front ,
each carrying a winding of MEHEN upon
their heads – as the serpent (the Torus) 
enveloping Áfu-Râ in the boat  —
the texts (236) of those 12 has ,
[by]  the horizon house (‘Babylon gate’).
[..]  [is]  the darkness (-for eden).  ,
which makes sense because the Babylon gate regulates “the times of the new moon” as the
beginning of each of their months , so why not regulate ‘a number of 12 months’ ?               [< strong] 
in this context a weird phrase (236 bottom) is ,
the tongues of the (matrix-) house. existences to make. [of]  peace. , 
and though ‘house + NES’ is said just as “(matrix-) throne” the matrix-gate is ‘the mouth’ ,
so would “several tongues” fróm there be ‘the 12-spoked wheel’ ? NES often as “fiery tongue” ;
the only interesting it still has is ,
existences to make. [by]  the main ones (‘these months’). [for]  the (matrix-) land. ,
[by means of for]  MEHEN (‘Torus’). existences to make. to carry up. ; 
the point is that they carry the Torus , first , only then facilitate ‘existences for the land’ ;
what óther ‘12’ can do that but ‘the Zodiac’ ?
next ,
both uraei as “white and red crown” can be “the mixed-realm IN their Torus” but the legenda
is Too flat to make anything more out of this [showing “things to unite (-by reaping)” SMA] 
 
b) UR : the 10 stars                                                                                                                                         [see top of page]  
starting with “the double-faced god” 
which has “a light glyph” as head ,
named “forever / all / above (‘north’) /
to equip” by two type light because
of his two faces ; and since the ‘12’ 
was shown it means ‘also the ‘10’ ;
the text is evasive (p.241) because
the proper subject is very unclear 
and making this line unreadable :
the Tuat-house (‘in Torus’). which is. he. the (matrix-) throne. 
the speech. he. existence. to come the one. nót. ;
[but by]  RÂ. [to be]  (matrix-) existence. [by]  he. to stand upright (‘at matrix vector’). ;
 
    b-2) the serpent with two wings and two Utchat eyes above it 
    this must represent “a very important concept” [-akin to the depiction in hour 5 , in the Sanctuary]  ;
    both UTCHAT eyes múst be about “the 10-base and the 12-base” also because his entire pose
    seems to impress a “ruling of a Dual concept” ;
    the text (242) , bit different as Budge has , and overtly complicated ,
    the (door-) bolt (?) (-S). [by?]  the (matrix-) Self (TCHES). 
    the (door-) bolt. [as?]  the body. 
    [by?]  the ones below (‘eden’). he. dead body (?) (KHA?). 
    [as?]  the (matrix-) lights (?). [by?]  the shadows. for. he. the ânkh-life. 
    to come the aspect. for. he. the ones to guide. ,
    [and]  he (‘eden aspect’?). [by?]  the (matrix-) nature. to devour. ,               [‘the 12 devours the 10’ ?] 
    [as]  the backbone. for. to divinely complete. existence. the ones to guide. ,
    to manifest (speech of / the house?). he. the speech. this. (matrix-) god. ,
    [as]  the (matrix-) hail (by) the (eden-) mountain …….. ; 
    very difficult ,
    but even if he rules a Dual then obviously their matrix-side is the ruling side ;
 
    b-3) the ‘seized 10 stars’                                                                                                                          [see top of page] 
    here the mummy (‘helplessness’) sits in the
    back of the serpent facing left , so eden-related ,
    which is ‘seizing / removing the (10) stars’ ;
    in the text (242) an important glyph is            >>
    what Budge has as “the eleventh hour” which 
    makes no sense and is a wrong reading : 
    after ‘the hare’ (hour) doesn’t follow a “10 + 1”
    but the ‘1’ is “a stop-line” so it has “10 hours” 
    in sync with the number of stars ; 
    the (matrix-) god. [as?]  the aspects.
    [being?]  the root (adj.) of ‘the One’ (‘pre-eden c.q Heaven’). [of]  10 (matrix-) hours.                     [sic] 
    existence. [speech / to make?] . the ones to guide. ,
    [and by?]  the (door-) bolt (?). to be devoured. ,
    [to be]  every. day. the (matrix-) light of speech of willpower (RÂ?).
    [by?]  the ones (‘10 stars’’?) of ânkh-life. [by]  legal law. ; 
        the root (for) the (door-) bolt     (?)
    the one speech to make (-by eden) (ÁR). 
    [for?]  the (matrix-) stars (for) the one (matrix-) sky-dome. , 
    N. S. M (impossible). (matrix-) existence to become new. ; 
    much stands or falls with the concept “the primeval 10 of Heaven – which they annexed” 
    and it seems they did now calling them ‘hours’ ; 
    also the “every day (the present) bý the 10 ones for ânkh-life” can be valid ,
    while the “stars of the dome” must be ‘12’ through which “existence becomes new”    —
    yes it is all by association but it sounds possible ;
 
    b-4) the ‘beings’ after the 10 stars 
    preceded by another “double-head” figure , some 5 or 6 deities ‘without arms’ (‘powerless’)
    show having weird names that seem to refer to the pre-Eden time (just as the 10 stars) ,
    as “the south” (deep-south as south-land) , ‘he the double-willpower of existence to love’ 
    (which was not the case when the serpents dwelt in the south-land) , while one of the 
    beings even hás two snakes ‘as head’ — 
    it’s all not too clear but the theme of this upper register must be “integrating the base-10” 
    using the 10 as Legal but now concealed base for their new base-12 ;
  
    b-5) for context : LR : our Originals (‘carrying the 10’) slaughtered (?)

as juxta to upper register  —     we always kept these furnaces as their crime     against our Originals and in this case we need      clear references to ‘physical’ glyphs ;     but if our Originals it would greatly support that     their (our) original number was ‘10’ juxtaposed     to the upper register WITH the ‘beings’ that came     from pre-Eden times !! you see please ?     these 5 pits kill “the enemies” (as the one shown) ,     another “the heads” , a third “the shadows”      (still an unclear concept) and another one burns     the “Ba-birds” (which must be a mistake and most     likely just “bodies” was intended) ;      the text (254-53) has words as ,

    the designs … [..]  .. the slaughtered things. to shoot-out … [..]  … the dead bodies 
    (or ‘dead’ essence) .. [..]  the (matrix-) flesh … [..]  fiery dirty (physical-) essences …. etc ,
    and what they are after is , next to flesh , “to obtain the voice (of speech)” that can create
    just as the Ba-birds in an earlier hour needed the voice to can make matrix-things ;
    that this register is hére (and not at those Ba-bodies) could be because of the ‘10’ theme ;  
 

#12  twelfth hour there isn’t much to say about this one  because no subject really jumps out ; it is a litany of victory with main theme that ‘the matrix is like the East was for them in olden time” (‘the beginning’, 276) and they mean “the pre-eden southland” ; perhaps enhanced , by “10 praising-gods in lower register”  that link to 12 praising ones in the upper” : the 10 ones are in front of the dead god ÁF  (‘essence / of he (eden / pre-eden) / for hail’)

suggesting that “the (10-base) situation of the past is over” 
because of the similar 12 praising gods in the upper-register (mystery-Babylon) ; 
       in this context ,
       the “round wall of sand” can very well – like in Rgveda – be “the concealing of Eden” 
       but so depicted because he had to work until now with ‘the lower register as eden’ 
       or , perhaps alternatively , “the concealing of the East c.q of Heaven”