…though Exodus 9 has ‘the barley vs the wheat’ in combination with ‘hail’ as one of the first plagues ,  finding ‘the stolen wheat stalks’ theme in the Scroll rather unexpectedly proves to be extremely difficult  since Esau either cut up & distributed the narrative                      or even rewrote it into another toddler story of his’ , showing us the validity of this ‘wheat theme’ ; in this case , though ‘Joseph & Asenath’ as apocryphal book is another of his romanticized productions it did help us previously with finding the “eden-star” concept ,  however that time we dismissed a certain section  which now became very important …

but not like this story           possible glyph name

  
 
                                                                               theme
 
   … the ‘barley vs wheat’ theme is so strong in the Spells that it’s baffling how flimsy 
   it shows in the Scroll — and therefore Exodus 9 is so important for us because the
   plagues happened in matrix-Egypt by which we can build a solid case ;
   where they also link this theme to “youthfulness”, “variety” and “the year as Time” 
   so that this cluster of key-words will also have to appear in the Scroll as one of the 
   first things we need in order to know whát to search for
 
   however , this seemingly innocent subject shows as very carefully corrupted
   and out of frustration pondering whére then could appear a helpful clue this book
   came to mind again especially the strange section of the ‘burning honeycomb’ 
   that immediately reminded of “the matrix making to burn the wheat stalks” in order
   to steal the aspects as ‘light particles’ from them especially “for physical beauty” ,
   where in the chapter here it has “the burning [is]  to release fragrances [by it] ” !
 
   the strange ‘honeycomb’ section
   the figure ‘Joseph’ anyway already seems to have the attribute “cereal” starting
   with the dream of the sheaves in chapter 1 , and next the seven (7?) years of the
   famine in the Egypt-region on earth which caused his family to come over ,
   so that the ‘honeycomb’ theme here very well can have been about “cereals” also
       [sub :
       what this means for ‘the story of Joseph’ as shown in KJV remains to be seen ;
       considering the bombshell here the long-winded closing there of the other sons
       having to make a triple journey appears invented [-by Esau]  ; but to be fair we
       haven’t yet unraveled the exact happening based on the context here] 
 
   and when looking at the buildup of this Esau story ,
   the honeycomb section does not make Sense not even in his ówn fairy-tale since
   it has no deeper meaning (-as often is the case with Esau’s half-magickal stories) 
   and is not connected with the rést of the events in the buildup ,
   but only serves here “to give back physical beauty to Asenath” after she allegedly
   has mourned for some days because of having held wrong thoughts about Joseph
   the day “before she witnessed his baffling physical appearance”     —
   in fact these – and the weird ‘angel’ – were the reasons we dismissed this section
 a few months ago , yet now it seems that Esau by mistake gave us a clue ,
 because indeed ‘physical beauty (-but of our Originals !)’ is linked to ‘wheat’ !   
 or perhaps rephrased “the variety (‘palette’) óf physical beauty in all of them” that
 by context links to the theme of ‘base-10 as the number of the Eden house’
 
   his romanticized versions can’t provide 100% proof – but is close
   and for us perhaps even “close enough” ,
   for we are used to stringently dissect the buildup of Esau’s redacted texts and in
   the case of this honeycomb theme our context of it appears to be valid ;
   that said : the rather extensive story does have its problems ,
   because after the start the continuancy was broken and themes were overridden
   since Esau needed continuancy for his own version where his ‘left-over phrases’ 
   he seems to have glued back at the énd of his narrative , 
   where our main question is : was the core of the original story “only the wheat” 
   or did it tell “everything that was stolen from Eden including the wheat theme ?”,
   since this is is important for our interpretation of the subject-turns here ,
   because the sequence is ,
   – Adam sells base 10
   – Horus & comrades obtain a body by the virgin
   – they steal the sceptre-axis
   – the virgin & star wander astray and also are captured
   – then Horus returns for the crystal floor
   – together with the wheat stalks [-and four wind vessels]  ; 
   here ,
   at the very end shows “stone from the ravine” that must have been “the floor”
   but it is difficult to see where this may have shown at the start — yet perhaps
   in phrases like “rectangle stone” (sic) — so that there do remain several ‘gaps’ 
   within the restored buildup [next , see PDF link in annex]  :
 
                                                                                   text
    intro [reminder]  :
   Aseneth’s place ,
   chapter II :
   “and above [in]  the tower (where she dwelt) was a loft containing ten chambers.”
          [10 as ‘the number of the house of Eden’ !]  ,
   “and the walls thereof were faced with precious and many coloured stones, 
    and the roof also of that chamber was of gold.”
          [which would be ‘the ten gem-stones of fire’ and ‘the star with golden hue’ 
          if not “the amber-coloured fire inside it” conveyed to it by the seven Torches]  ;
   “and the chamber also contained all Asenath’s adorning and chests, 
    and there was gold in it, and much silver and gold-woven raiment unlimited, 
    and stones choice and of great price, and fine garments of linen.”
          [as all the aspects to bring forth our Originals]  ; 
   “And the remaining seven chambers ,
    the seven virgins who ministered to Asenath occupied,”
          [the seven Torches]   
   “Now Asenath’s great chamber […]  had three windows ; and the first window 
    was very large, looking over the court to the east; and the second looked toward 
    the south, and the third looked over the street [or ‘to the north’] .”
          [the four images of the four cherubs surrounding the star] 
   “the high wall round the court built of great rectangular stones”
          [such a weird addition  —
          probably ‘the floor in the sanctuary’ !]                                                                                                                    <<<
   “[and in the court-]  were also planted along the wall fair trees of all kinds and all 
    bearing fruit, their fruit being ripe, for it was the season of harvest”
          [that also may be the ‘wheat’ theme] 
 
   chapter II
   Joseph [but ‘Horus’]  to arrive
   the ‘Joseph and twelve men’ (weird addition) can be “and four other serpents”,
   and though no other numbers show – or it was that ‘date’ – as the selling by 
   Adam of base 10 , the equally strange “the possession of the inheritance” may
   have referred to this , 
          “Joseph came to the borders of Heliopolis collecting the corn of that district.   
           And, when Joseph drew near to that city, he sent twelve men before him 
           to Pentephres, the priest of Heliopolis,” ,
   then ,
          “[therefore-]  Asenath hasted into her chamber where her robes lay and put 
           on a fine linen robe made of crimson stuff and interwoven with gold, girded 
           herself with a golden girdle, and bracelets round her hands ; and about her 
           feet she put golden buskins [….] ” ,
   though we cannot prove that “it was a description of the Locusts” say as found in
   the book Revelation , right after this “the marriage (-of Joseph & Aseneth)” in III
   could be a very veiled reference to ‘the serpents getting a body by the virgin’ ;
 
   chapter IV
   Joseph arrives (‘matrix desires to make base-12’?)
          “And Pentephres came out and his wife and all their kindred and their servants 
           to meet Joseph ; and when the gates of the court that looked east were opened
           Joseph came in seated in the second chariot of Pharaoh, and there were yoked 
           four horses white like snow with golden bits, and the chariot was fashioned all 
           of pure gold. And Joseph was clad in a tunic white and rare, and the robe that 
           was thrown round him was purple, made of fine linen interwoven with gold, 
           and a golden wreath was upon his head, and round his wreath were twelve 
           choice stones, and above the stones twelve golden rays, and in his right hand 
           a royal staff, which had an olive branch outstretched.”
   here ,
   the ‘gate opened’ as the Eden-gate in the north ,
   where the “12 stones around the wreath” sounds like the ‘Zodiac’ theme perhaps
   moved as ‘the chariot’ , and the ‘staff’ as the stolen Eden sceptre ; 
 
                [here]  : probably ‘the honeycomb & angelic being’ section [-now below] 
 
   chapter VI
   Aseneth sees Joseph (‘eden-virgin wanders astray’?)
   chapter VIII-XI
   the ‘righteous Joseph’ (‘old-Ishral when the Scroll is given [-telling this] ‘?)
   right away the ‘strange women’ and ‘deaf idols’ ,
   as opposed to ‘the man that worships God’ ;
   the phrase “abomination in the sight of God” (33) IS used for ‘worshipping Baal
   at the high-places’ referring to worshipping the base-12 Zodiac year ; where at
   the end of this chapter the Scroll may be given ;
   perhaps continued in IX that has “turning from the worshipped gods”, ending in
         “the day on which God began to make all His created things, 
          and on the eighth day I also return to you” ,
   which sounds like the promise to restore Eden ;
   [however , we still need ‘how Jacob will worship base-12′ especially in the time
   of the end – but Esau may have disarmed that here , or it showed in next X as
   hidden in the very lengthy section of Aseneth’s repentance :]  
 
   chapter XI-XII
   Asenath repents & prays
   probably “about the sons that will understand the Scroll” ,
   when God will intervene in the “sacrifices to idols” (as base-12) and where the 
   said “humbling” can be what the sons will do — but ofcourse no ‘scroll’ shows —
   as the ones also “having worshipped (other) gods by ignorance” etc ;
   the ‘seven days of mourning’ here could be “the sons finding Eden’s base-10” ;
   
   the honeycomb & angelic being [‘Horus’]  section                                                                              [see earlier :] 
  “And, when Asenath had ceased making confession to the Lord, lo ! the morning-
    star also rose out of the heaven in the east ; and Asenath saw it and rejoiced and 
    said ” Hath the Lord God then heard my prayer ? for that this star is a messenger 
    and herald of the light of the great day.” 2 And lo ! hard by the morning-star the 
    heaven was rent and a great and ineffable light appeared. And when she saw it 
    Asenath fell upon her face upon the cinders, and straightway there came to her 
    a man from heaven, sending forth rays of light, and stood above her head. 
    And, as she lay on her face, the divine angel said to her, ….”
          [as ‘Orion’ — in glyphs BEH’ES ‘the calf star of the east’ ? ; 
          then Esau has the angel tell some things , that may have been about how the 
          matrix made their base-12 (-Zodiac) but moved from áfter the honeycomb ? :
  “[it-]  will provide a place of rest in the heavens,”
  “deliver me from the darkness and to bring me from the foundations of the abyss
    itself into the light,”
  “[and she said-]   and thou shalt eat, and I will bring thee also wine old and good, 
    the odour whereof shall reach unto heaven, and thou shalt drink thereof.” 
          [perhaps,
          the ‘(base) 12’ theme was already partly used when ‘Joseph sent 12 men’ ? ;
          then : the ‘possession of inheritance’ was earlier used in a ‘vine’ theme :] 
  “and, as she was starting to fetch bread, the divine angel saith to her : “Bring me 
    also a honeycomb.” And she stood still and was perplexed and grieved for that 
    she had not a bee’s comb in her storehouse. And the divine angel saith to her : 
   “Wherefore standest thou still ?” And she said: “My lord, I will send a boy to the 
    suburb because the possession of our inheritance is near, and he will come and 
    bring one quickly thence, and I will set it before thee.” The divine angel saith her: 
   “Enter thy storehouse and thou wilt find a bee’s comb lying upon the table ; 
    take it up and bring it hither.”
    “And she said, ” Lord, there is no bee’s comb in my storehouse.” 
    And he said, “Go and thou wilt find.” And Asenath entered her storehouse 
    and found a honeycomb lying upon the table”
          [weird addition  —
          a coverup for “the wheat – standing – upon the crystal floor”..?] 
   “and the comb was great and white like snow and full of honey, and that honey 
    was as the dew of heaven, and the odour thereof as the odour of life.”  
          [here,
          honey is ‘golden’ perhaps as substitute for ‘golden (wheat) oil’ , and some
          survived additions in the scroll can have said ‘wheat of (eden-) life’] 
   “this comb is the spirit of life, and this the bees of the paradise of delight have 
    made from the dew of the roses of life that are in the paradise of God and every
    flower, and of it eat the angels and all the elect of God”
          [the “nourishing our Originals” theme ?
          where ‘dew’ perhaps was ‘particles’ (-abq) Ex.9 ?] 
   “lo ! now to-day thy flesh produceth flowers of life from the fountain of the Most 
    High, and thy bones shall be made fat like the cedars of the paradise of delight of 
    God and unwearying powers shall maintain thee ; accordingly thy youth shall not 
    see old age, nor shall thy beauty fail for ever,”
          [these are typical phrases as in the Spells about this theme] 
   “and the [comb-]  cells were numberless, tens of thousands of tens of thousands
    and thousands of thousands.”
          [hm ..] 
          [next : now the wheat stalks are stolen ? :] 
   “And the angel said to the bees, “Go now to your place.” Then all the bees rose 
    and flew and departed to heaven.” 
          [then , interesting for us ,
          are both wheat stalks ‘continually made to burn in order to steal’ ?                                                      [sic] 
          like the Spells say – and which seems to appear in the Scroll also ? :] 
   “Then the angel [….]  stretched forth his right hand and touched the side of the 
    comb, and straightway fire came up from the table and devoured the comb, 
    but the table it injured not a whit.”
   “And, when much fragrance had come forth from the burning of the comb 
    and filled the chamber, …”
          [the story makes little sense on itself – but to us it does …] 
 
     [closing :] 
     extremely tricky — it must contain “the concepts returning to Eden” for it shows
     the ‘chariot of Asenath’ but as “the star of the daughter of tsiun” and the taking
     if “stones from a ravine” that must be “the crystal floor out from the muddy pit”, 
     but Esau can have combined this with ‘left-over lines from previous sections’ ;
     and , likely , 
     the “killed son of Pharaoh” either ‘Adam who dies’ and / or the Locusts 
 

annex 
www.pathoftorah.com/pdf/ebooks/apocrypha_and_psuedepigrapha/joseph_and_asenath.pdf