Ex.12    : rather sure : no ‘blood on the doorposts at Passover’

but ‘the occupied 4 vessels’ (and corner-stone) theme
[and Esau hiding that in ‘Passover’ was an occult ritual] 
as the prophecy related to the 10 plagues in matrix-Egypt ;
restored concept :
‘Horus’ throne above the 4 vessels which he keeps captive
as the ones inside the gate of the house of Eden’    
so that ,
when the cornerstone returns [the 70 days]  the sun darkens
ánd the 4 vases [+40 days]  are freed so that the matrix will
not have any connection to Eden anymore for to rob her !
[the occupied now double-place is their ‘jaw’ (ARTT in Spells)
and hence the famous “put a hook in your jaw” (Ezekiel) ;
PT 260 & 301 : “by the island (in the gate) the dew (!) to come”] 
prophecy pattern : Joseph & 7 years famine in earthly Egypt
(times) the 10 plagues + 40 years in the desert 
[+ no alleged ‘Red Sea crossing’ [14 & 15]  but the prophecy] 
Jer.43 :
[as a place called ‘Tahpanhes’ which is the goddess TEFNUT] 
[2026-08aug.30-31] 

 

 
what again we’re wading into …
 
we’re not here to shatter ‘sacred concepts’ 
and the Passover itself stands the same solid ! ,
but this ‘blood on the door’ theme is suspicious
because of key-words and context ,
though we never completely trusted this event ,
recently even asking ‘where the blood was put’ 

now there never was a ‘smiting of the firstborn’
since all the plagues were in mystery-Babylon
just we had no key to this story — until now ;
and looking at this 12 ,
the lines of ‘the 4 vases’ were craftily inserted
in original ones of Passover and Unleavened ,
for the people had to get to Horeb in 7 days
where God would explain the other feasts
 
however — the rest of the theme Esau must
have hidden in the alleged “crossing the sea”
and “the song about that” [-chapters 14 & 15]             
wherein too many prophecy phrases appear ,
and though perhaps those can’t be restored
the context of ‘the prophecy belonging to the
ten plagues’ weighs very heavy indeed …
                     
and finally please , equally important ,
the act “to put blood on a door” is nowhere
repeated in the Scroll , while the instances
about ‘sprinkling blood’ are few & corrupted ;
and though Christ shed his blood , the idea
was not “to cleanse us from sin” that Esau
has made a core theme in the NT ,
but “the death of the soul to this ape body”
for without His sacrifice we’d never escape ;
though the soul may be washed with blood
to be justified , and as spiritual connection ,
we must reject a “blood put upon an object”

 

 

 
in the original situation the 4 faces of
the cherubim as images surrounded
the eden-star and perhaps with open
mouths blew veils of dew into Eden ,
while the 4 vases with rising incense
caused not only the images but also
the garments of dew of (eden-) life ;
and the cherubim themselves stood
 in the Sanctuary as in Revelation 4

 

the ‘4 captive vessels’ now having
a matrix-nature as shown in Spells ,
and here for “to dress” (their land)

 
[there is a theory about “his blood dripping
down through a crack in the rock beneath 
the cross upon the ark hidden in the cave” 
but, though an ingenious find, it is absurd ,
since the ark represented the (eden-) star
as “the dwelling of the virgin of tsiun”  
who brings forth our beautiful Originals ,
so that the real problem was not there ,
and hence this idea is another deflection]  
 
we already exposed the “drink my blood”
as another occult ritual invented by Esau 
and this “blood on the door” is also one :
each Passover Jacob would remember
this alleged event , so that unknowingly 
he would support Esau’s intent to keep
the prophecy being concealed …. —
so that we Undo that connection here  

 

theme

 
     … this seems unrelated but we must follow the prophecy pattern :
     and the idea “the people Ishral staying 70 years in Egypt” is very tentative
     since it would connect the seven years famine (‘plague’) to the 10 plagues ,
     however , this time line probably is not historically maintainable  —
     while perhaps first ‘the multiplying factor’ had to be established as base 7
     (x 7) before the base 10 could be connected to base 7 to make ’70’ ;
     so that a “490 years” is close enough to the shown “430” in this chapter 12 
     [and perhaps base 4 (’40 years / days’) is included in the singular ‘4’ here ?]  ;
 
     the prophecy was explained to Joseph and Moses must have known it also
     as context of the 10 plagues as the foreshadowing of or ‘intro to’ Revelation , 
     and especially for you & we to realize the connection ‘7’ and ’10’ + ‘4’ ;
     so that in Revelation we need (a base-) 4 plague(-s) since that is the latter 
     half of the prophecy after which the Sun goes dark and the Trumpet sounds :
     the first caused by the corner-stone , the second by the vases of the winds ;
     so that no numerous judgments are involved as KJV shows but just ‘four’ 
     and – perhaps – as the quick successive retraction of the stolen veils of dew ,
     until mystery-Babylon will also be deprived of (Eden-) life by those garments …
  

this Exodus 12

 
     the ‘Red sea crossing’ [ch.14] was the prophecy — fragments here
     also this is a strong argument   —
     like in Joseph and Elijah & Elisha Esau cut up the prophecy and maimed
     the separate themes then gluing them back randomly , and likewise here :
     in [14] ‘Pharaoh pursuing Ishral’ was Esau’s Wrath ,
     the ‘water on both sides like a wall’ was the two sides of heaven theme ,
     the ‘waters divided’ was “the eden 10 months divided into (matrix-) 12   —
     but it will be very difficult to restore since Esau forced his own story ,
 
     in next [15] ‘the song about the crossing’ he dumped – and corrupted –
     all the phrases he couldn’t use here or were part of the Explanation :
     the ‘they sank in the waters like a stone’ was “the stone in the cave”
     and ‘the wind veiled them’ was the 4 vessels theme
     while ‘Miriam with music instruments’ was “the Trumpet from heaven ;
     it is the usual incredible mess and lines moved to here is defendable
     
     [in 12] , the root for “the bowl (-of blood)” is (-saph) but ‘bowl’ only here 
     [since he invented it in this chapter] where (-suph) “reed” was earlier 
     used for Moses in the basket ,
     but because the same roots cannot have such different meanings you 
     see the link with (-suph) “Red [-sea] , reeds sea” and can almost hear
     him shrieking of joy from his cunning idea to write an alleged ‘crossing’ …
 
     suspicious lines : ‘dew’ (?)
     so that the first example may not appear strong enough ,
     yet please connect it with the context of the other lines in the section below :
     in (1-6) starts the Passover ordinance where a lamb is to be chosen & killed ,
     and the buildup , phasing and used type words appear okay ,
     but now come the ‘blood’ lines in (7-9) ,

 
     the ‘house’ can be “(eden-) house” ,
     the ‘roast’ can be “dew” (tsl=tl) and is listed only a handful of times ,
     the ‘to eat’ can be “to fill” (akl=mla) ,
     the ‘the·jambs’ seems to be invented from ‘unleavened-bread’ after that
     and the ‘bitter herbs’ is listed only twice ;
     attempt :
     a ‘the 2=[..]  the·jambs = vessels [..]  [=for]  the·lintel = the winds
          which eat=fill (akl=mla) the·houses = the house of him=eden [..] ‘ 
     is not impossible ,
     (8) ‘and they eat=cover (?) – the·flesh = the land (bashr=arts)
            [=with]  night=garments of [..]  roast=dew [of (eden-) fire=life ?] ‘ ;
     and here ,
     the “dew” in interlinear always shows as “night-mist” !
 
     next (9) is so weird that Esau may have made it a bridge to the normal text
     restarting after the inserted (7-8) , while here must have shown other meat
     for ‘personal use’ — since we don’t believe that lambs offered to IEUE were
     supposed ‘to be eaten’ especially in the case of the Passover lamb ,
     because then we get the “drink my blood & eat my flesh” problem again
     [while in Leviticus this specific theme appears to be corrupted also]  ,
     (9)
    “Eat not of it raw, nor [=being very cooked]  with water, but roast [with]  fire; 
     his head with his legs, and with the [=inward]  thereof.”
     just weird ,
     but that they “had to eat in a hurry” (11) does make Sense ,
     yet not “because the firstborns of Egypt would be smitten” (in 12) ,
     but because they had to reach mount Horeb before the 7th day !
 
     therefore this (9) was the intro to the ‘Unleavened section’ starting at (15)
     while we cannot use évery line for the ‘4 vessels theme’ (like 12-14)
     because Passover still is not being explained !
     it could at least have said “for a sin-offering (‘sin’ is ‘this body’) or the like ,
          [sub :
          Passover / Unleavened sections moved to next 13:1-16 :
          yet it’s difficult to see what is going on there —
          (11) “I will give you the land I swore to your fathers” is always Eden
          and together with the several times ‘redeem’ often said of ‘people’ ,
          perhaps the initiation of the theme of “the remnant” ..?
 

     suspicious concepts : ‘door of the house’ can be ‘gate of the Eden house’ 
     now it gets more difficult ,
     because the occupied vessels “still sit in the opened eden-gate region” ,
     below her binary sun & moon as ‘the double door’ that is now captured also
     [please see the TEFNUT section below]  ;
     and with some fantasy “the Locusts wanting the veils of dew” can be read here ,
     though please remember these are but attempts :

     (23) ,
     ‘and [=they]  see=desired the·blood (!) = the garments of the·lintel (!) = dew
     [=from]  [..]  the 2=4 the·jambs (!) = cherubim
     and [=they]  limp=descend ieue=to the·portal
     but ,
     the problem is we can’t see what were the exact subjects in each line ;
     yet next appears a “bowl , vessel” (22) , and the Locusts steal the dew ,

     (22) ,
    ‘…. the blood=unguents which are in the bowls …. the 2=the·jambs = winds (?) 
     …. and the man=winds go forth from the portal of the house of him=eden
     until=to the morning=North (?) ;
     compare Isaiah 22 , the prophecy ,
     which ends with Christ delivering the corner-stone ánd the 4 vessels [and us] 
     [see this section in the recent John page]  , where earlier in 22 is said (but corrupt) ,
     how the Locusts invade Eden ,
     (7-8-9)
    “….. set themselves in array at the gate ;
     and he discovered the [=veils]  of Judah, [‘desired the veils of dew’ ?] 
     and thou didst look in that day to the armour of the house of the forest.
     Ye have seen also the breaches of the city of David, that they are many: 
     and ye gathered together the waters of the lower pool.”
     it’s all horribly corrupt ,
     but “waters and pool” is close to “dew and vessels” while the context of
     the Eden house being invaded seems rather sure here ; and things are
     stolen that at the end of this chapter will be delivered by Christ ,
     showing the ‘cave’ theme (of the stone) and ‘vessels’ (in 24) ;      
 
     above “the pool” shows as ‘the·reservoir’ yet as the invented root (BRK)
     from ‘to bless’ (brk) but because we know Esau loved to play on roots
     and the letters in different order are “cherub” (KRB) certainly belongs
     to this theme even ‘first-born’ (BKR) is possible in this Exodus 12 ,
     as the ‘poor Egyptian firstborns’ that are slain (line 29) ,

     here ,
     what means “the captive in the house of the·cistern” ? 
     it was supposed to be a juxta to “throne” but it reads invented   —
     but if it was firstborn=cherub’ plus “Pharaoh” in prophecy as another 
     term for Horus the Locust (also called ‘king of Egypt’) , Esau added

his “cistern” idea because he saw the ‘4 vessels’ ! ‘the captives’ ! <<<

        
 
     now it gets weird :
     compare “Pharaoh – throne – firstborn – captive – house of – cistern”
     with a line about Tahpanhes in Jeremiah 43:10 ,
     though here shows ‘the king of babylon’ the theme is ‘Pharaoh’ (in 9) ,

    
     compare ‘the throne + above + stones + which + [are]  buried + pavilion’ 
     with the   ‘the throne [..]  + the captives + which + [are]  in the house’ :
     while next line (43:11) shows ‘captives’ ,
     and the theme is (in 43:9) ‘the door of – the house of – pharaoh=Eden’ … 
     so the idea was ,

“that Horus placed his throne (‘Torus’) above the 4 vessels [sic] 

           which he keeps captive
           as the ones sitting in the portal of the house of Eden”

     hence , (43:8-9)
    “Then came the word of the LORD unto Jeremiah in Tahpanhes, saying,
     Take great stones in thine hand, and hide them in the clay in the brickkiln,
     which [is]  [=in the portal]  of Pharaoh’s house in Tahpanhes,” ,
     but ,
     instead as ‘the stones=four (abn=rb) great=vessels’ + something ,
    ‘which are in the portal of the house of [Eden]  [=as]  Tahpanhes’ ,
     followed by the line wherein Horus places his throne above these ;

but either way “something is ‘buried’ in the gate region’ ! <<<<

     so that the spells (see page) seem to be confirmed by the Scroll ..
 

     Tahpanhes – TEFNUT
     we need a detour please because important 
     [though long time we believed a gay claiming
     he located those ‘buried stones’ now as gem
     stones in the British Museum]  
     since this can only be the 4 vessels theme ,
     and see ‘vessel’ ‘house’ and ‘place’ glyph : >

 
     Tahpanhes — now Tell Defenneh situated on the Suez canal in Egypt —
     shows in Jeremiah but perhaps not as “he being there with a remnant of 
     the people” for we know how corrupt the Jeremiah chapters are 
     [while ‘Tahpanhes’ also shows in Ezekiel , and how it got there ?]  , 
     yet the chance that ‘Tahpanhes’ was nót deliberately intended is small :

     perhaps not for the fortress (‘house’) there
     but because of the root T-PH-N where in 
     Hebrew the PH is F (as in ‘soul’ nephesh) , 
     and combined with the phrase in Ez.30:18
     it must have shown the goddess TEFNUT
     representing the place of the 4 vessels ; 
     for the same ‘place’ glyph shows here 
     and again that same ‘vessel’

 
     she often is partnered with SHU “air, atmosphere” (sic) inside the matrix-Torus
     [the ‘throne of Horus’ above the 4 vessels]  , and hence she is linked to ‘the vulva’ 
     which means nothing else as “that region in the opened eden-gate” ,
     the same as “the lotus” upon which the 4 Horus sons stand (-see other page) ;
     in PyrText 260 ,
     PDF 199 (here) , 
     also features Tefnut and Shu together with the 4 sons “the gods. these. four”
     in top right while the other 4 may read “the four-fold word (‘air’) + to come hail” 
     as the four Locusts that make the word (‘air’) to come to their matrix ,

     the spell has “the (now) double house” as “the eye” (important construct)
     and (321) ‘these. vessels of. ‘the eden-one’. to tax (-by to connect to)” ; 
     and so (319) “the word (air) of eden-within. [in]  (matrix-) existence to revolve” 
     (which then becomes the figure SHU ‘atmosphere’) ;
     where (318) for ON (‘mystery-Babylon’) and (317) GEB (‘land around her’)
     the “by the vessels of the tongue he (‘air’) in (matrix-) existence to revolve” 
     and “tongue” because it sits in the eden-gate region (‘the mouth’)
     and the winds streaming to the north can be ‘a tongue’ ;
     for in (317) “by the word (‘air’) of the exact middle [is]  SHU” 
     followed by “TEFNET. judging (eden-) existence. ;
     (316) has “to the (matrix-) dimension the word (‘air’) to come” , 
     linked to “the KHEPESH-thigh” which is the captured eden-main-axis ,
     because the 4 vessels still sit at her main-vertical axis ,
     even though the scepter (with star) that bore them up was stolen
 
     and interestingly ‘(ones of-) (matrix-) dew’ (AT+) show in spell 301
     that also is about Tefnut and Shu as this same theme (PDF 261) ,

     as “[by]  the island SHEST (‘place sacred to Horus’) (‘island in the sky’)
     [are]  the ones of (matrix-) dew (‘but no “veils” show)
     [for]  thou (‘Horus’) [are]  protecting the nostril (‘this place for the winds’)
     [so that by]  he (‘place’) to make to can breathe (‘now matrix-air’)” ;
     hopefully we’ve no time anymore but these need a separate page
 
     in the previous page this line showed ,
     (26)
    “… [and the priests-]   called on the name of Baal from morning even until noon, 
     saying, O Baal, hear us. But [there was]  no voice, nor any that answered. 
     And they leaped upon the altar which was made.
     here ,
     used was H6452 pasach as “to leap, skip, dance, to limp, to pass (by)” 
     that also shows in this Ex.12 : as three times in the suspicious lines ;
     the root is Esau’s derivative of (-pesach) as in ‘Passover , to pass over’ ,
     but shortly after this (26) a literal “fill – 4 – vessels” appears ;

     so what did Esau see ?
     he knew the Spells very well and the root
     of TEFNUT is TEF “jump, hop, pour out”
     and the weird root (-pasach) (only 7x)
     made us suspicious about this Ex.12 ; 
     the word TEFNUT itself is a mirror-glyph
     as ‘the (matrix-) place /
            the one (for) the word (‘air’) inside /
            (by?) his (eden’s) one’ ,
     but these puns are tricky to re-formulate

 

     the same theme but in different form is
     shown in the book of Gates last hour 
     (also that book we’ve to finish still …)
     as the god NU carrying up that boat 
     which probably is ‘the 4 vases place’ ;
     NU as ‘the (captured eden-) dome /
     (for) the words (‘air’) inside’ 
     and though the island does not show
     it has ‘this / god / 
                 (eden-) existences to make /
                 to make to tie together /
                  [to]  the (matrix-) dimension’ ;
     in the boat show SHU (‘atmosphere’)
     and (matrix-) words of eden-within’ 
     but as “air (‘light’) particles by which

 
     they create things in their Torus above , and KHEPER ‘transformation’ changes
     the eden-nature of those particles into a matrix-nature but now ‘as mixture’ ? ;
     the text has ‘the word (‘air’) (by) the (eden-) ones (‘vases’) / 
                 to reap (-by them) / [for]  above (‘matrix-north’) 
                 [and for]  (matrix-) existences to make / to transform (‘the words’?)‘ , 
     and ‘[by means of-]  the (matrix-) main ones / to stand upright / [in]  the gate’ 
     [now as vases of matrix-nature and for ‘stand upright’ see below]  ,
     but this short text [PDF 319]  is most evasive & not showing ‘vessels’ ;
     and finally ,
     we saw that the 4 vessels place was also ‘a boat’ (matrix-construct) in spells
     and their Torus (‘throne’) shows as the circle above the boat , and inversed 
     [this Esau must have hated to show the situation from eden’s perspective ..] 
     as we concluded in the ‘great stairway’ page because their dimension sits on
     another angle as that of Eden and this is ‘the connecting point’  —
 
     implying that when they lose this place – and they will – it’s over :
     and see next Ezekiel 18 , below ,
     for when the corner-stone returns (imprisoned in their cave in the north)
     which was forced to make base-12 and made to power their sun ,
     that sun will go Dark — so that they will only have left the four vessels here ,
     but these will also be delivered so that they will have no connection anymore
     to anything of Eden — and can no longer vampire off of Heaven 
 
     searching these connections is always a bit tedious (and tedious to read ?)
     but is important to can understand the many strange concepts in the spells ,
     for only with the right key they open — like the PyramidTexts above ;
     but also to find the type phrasing of this theme as it was said in the Scroll
 
     Tehpanhes in Ezekiel 18
     in a totally corrupted chapter shows this line ,
     (Ez.18:30)
    “And in Tehaphnehes also the day shall be darkened, when I shall break there the yokes of Egypt: 
     and the pomp of her strength shall cease in her ; as for her, a cloud shall cover her, 
     and her daughters shall go into captivity.”  
     it has the same “captivity” and “cover” (‘veil’) as in the above examples ,
     but since this must be the prophecy as the deliverance ,
     perhaps ,
    ‘[=as for]  Tahpanhes : [when]  the·day=the sun (will) darken , 
     [because the corner-stone returned]  ,
     I will break there the bars=stronghold (?) (‘the 4 vessels’) of (matrix-) Egypt
     and the pomp of her strength [=by]  her will cease ; [< but can be anything] 
     [‘she + cloud + to cover’ = ?] 
     [=when]  the daughters=vessels – (that were held) captive – (will be) go=delivered ; 
     but ,
     because this is so isolated in a corrupt chapter the interpretation is a guess ;
         [sub :
         a few times also the phrase “(the tower of-) Migdol” shows 
         from Egyptian MKTR (glyphs have no -R hence -L) as “stronghold” “fort” 
         so that the above idea of ‘stronghold’ can make sense ;
         in Ez.29 ,
         it has “the tower (‘migdol’) of Syene” that will be made desolate (in 10)
         but the context was “their fortress in the Eden gate” ;
         and in (11) a “40 years” >> 40 days ? ,
         and (13) “at the end of the 40 years I gather the Egyptians” 
         but feels like “at the end of the 40 days I gather the remnant” ;
         (9) is about the Nile that Pharaoh (‘Horus’) made for himself 
         [the ‘great stairway’ aka ‘the tongue’ as the dew flowing to their north’] 
         and has “put hooks in your jaw” : the ARTT in that one Spell (see page)
         as their jaw biting & locked into Eden by capturing the 4 vessels place ..] 
 
     and finally ‘Tahpanhes’ shows in the very corrupt Jeremiah 2 chapter
     that well may have been a mirror of Isaiah 22 (see above)
     for it also has “hew cisterns for water” (13) like the Shebna in Isaiah 
     while “living waters” is also a section in ‘the Samaritan woman’ John (page) ;
     in (22) it has an invented ‘dromedary’ (BKR !) and “wind”  —
     but the chapter cannot be restored because hopelessly corrupted … 
 

[september 1 :] 
will take a few more days still (but hopefully not) and do see the ‘Tefillin’ occult ritual :
[still Ex.13] 
(15)
“And it came to pass, when Pharaoh would hardly let us go, that the LORD slew all the 
firstborn in the land of Egypt, both the firstborn of man, and the firstborn of beast: 
therefore I sacrifice to the LORD all that openeth the matrix, being males; but all the 
firstborn of my children I redeem.”
15
[=but]  it (will) cause (?) – that=great (‘swapped’) – obstinate=wrath of – pharoah=Esau ,
b
(and-) [=in]  (-order) to send=block [=them]  
(‘you & we’)    +

he (will be) killing – ieue=many (?) – all=little ones of – firstborn=Jacob (or ‘your people’)  +
d
in – egypt=those (?) – land=days (?) ;
e
[………. impossible ……..] 
f
[=but]  – ieue=your to=sons – (will) sacrifice=find – all – open=changes – [in]  the womb=scroll
g
(and-) redeem    +
h
the·males = the 10 – all=months of – the firstborn=house (bkr=bth) of – son=Eden (ben=odn) ;

      here ,
      Deut.11:17 (masked) : “wrath of ieue – and he restrains [blocks] ” 

part b
[directly continued] 
[Deut.11 section now , ‘Tiffalin’ verses #4 (Dt.11) and
#3 (Dt.6) ;  see workout below :] 

                                                       
(18)
“Therefore shall ye lay up these my words in your heart [‘after above line’ !]  and in your soul,
and bind them for a sign upon your hand, that they may be as frontlets between your eyes.”
18
[=because]  [=they]  (will have) put – my words – [..]  to – heart    +                [Haggai 2] 
b
[=about]  the on=stone of – the soul=corner [‘corner stone’]  
c
[=that]  (had been) bind=flung (qashar=shalak) >> [=him]  – to=into the hand=cave 
d
(out from-) on=which – you=I (will be) hand=delivering [=him]  ,
e
and – to=again – he (will) be=power (?)      +
f
the brow-bands=year of – the between=house (bnbth) of – eyes=Eden (OiN=OdN) ;   +  
[cont.:] 
      here ,
      oh so that’s why that ‘tefillin’ has a cube form (‘stone’) + 4 verses (‘vases’) inside …..

the thing has 4 small compartments 
each having a tiny scroll inside with
one of those 4 verses (see above)
including this (18) above and next 
(11+9) about the four vases ;
and literally both themes are bound 
to the sons of the serpent-race ……

 
[combined Dt.6:11 + 9 (or same line Dt.11.9:20 :]  [continued :] 
(11 + 9)
“And houses full of all good [things] , which thou filledst not, and wells digged ,
which thou diggedst not, vineyards and olive trees, which thou plantedst not; [……] .  
And thou shalt write them upon the posts of thy house, and on thy gates.”
11
and (how-) the house (‘Eden’ b/c runs on) – (that was) filled
b
(with-) the all=four – good=winds – which – [..]  full=covered [+her]  – [=with]  well=dew ,
c
[…. unlocated bridge for lines were cut & ‘4 cherubim’ unknown …..] 
9
[=but]  – the on=2 – posts=vessels – (in-) the house=portal of – the gate [< all Ex.12]     +
b
(that were) write=occupied , [+ (will) be delivered (‘as previously with the stone’)]  ;   

(21) 
“That your days may be multiplied, and the days of your children, in
the land which the LORD sware unto your fathers to give them,” [< quote always is ‘Eden’] 
[paraphrased :]  “and in that day I will restore Eden”