[mercilessly searching base 10
after our torpedoed ’70th day’] 

… observing the Narmer palette and pondering ‘what could be the most important message’ here it makes no sense that it was about some Pharaoh who supposedly “unified Lower and Upper Egypt” since the North and South represented a concept as their re-conquered homeland [shore of Heaven]  which was shortly ruled by the now defeated Eden and their own mystery-Babylon region in the north ; here expanded with the theme of the dual-realm  Behemoth and Leviathan shown as “Serpopards” that are no longer ruled by the original base 10 shown as the ten decapitated figures in top right

                                                                                       theme
 
     … though we always held that ancient Egypt typically was the land of the sons of
     Esau (-as the sons of Adam that also corrupted the Scroll) , the beginning of her 
     reign can have been through ‘the sons of the serpent race’ as Esau’s “brothers” ,
     since the oldest Spells as the Pyramid Texts very much adore Horus as the hero 
     of their serpent race that with his four colleagues invaded Eden ;
     while the ‘fish glyph’ in the name Narmer would fit the “animal type soul” theme
     as the serpent race having inner beings (‘souls’) of all kinds of unclean animals 
     (like Rgveda was written by those incarnated beings still having ‘animal names’) ;
     however ,
     whether serpent sons or Esau sons the themes are the same ,
     for all of them wanted to boast about their major victory as the now fallen Eden
     and their region mystery-Babylon north of her robbing all her aspects constantly
     wherefore the symbolism in this object may well be about this main theme
 
     opposed to the ‘harpoon’ glyph used for ‘a defeated Eden construct’ ,
     the chisel (mr) in the name Narmer (together with the n’r as ‘catfish’ , see above)
     must be positive as in “opening a matrix thing to insert a stolen Eden factor in it” 

like we saw with the wheat & barley theme      in the Spells where the barley-light-particles      envelop the Eden ones (-of the wheat ears) ;      where in this case ‘the catfish’ as the animal      soul was ‘opened’ to can receive aspects      and hence his great boasting in this palette       (of interest for us is that also the glyph for      time and especially ‘hour’ UNNUT contains      the chisel and typically as 2 x 12 hours as      the foundation of their created base 12)

 
                                                                                        the palette
 

a main clue must be both Serpopards ,      a combination of “serpent” and “leopard”      that also show in 3000 BC cylinder seals      from Mesopotamian Uruk not long before       the time that this palette was fabricated ,      strongly suggesting that both monsters       were the shared theme “the dual realm”       in both ancient cultures

another clue is their intertwining where       the necks of the animals perhaps were                          invented to depict exactly this aspect ,      opposed to the original line in Genesis       where God had separated both realms       so that Eden situated in-between them       would rule the two heavens

and if we remain with this interpretation,      the ten beheaded figures as base 10      that are still present but “no longer rule”       is very possible ,      where similar bound and decapitated       figures as the glyph SBÁ linked to ‘stars’      would later show in the Spells and even      as the ten figures in the Ramses tomb      which was all about base 10 [-see page]

 
     like in Amduat [-see page]  base 10 was acquired by them but only used to power their
     created base 12 and the ‘headless figurines’ may depict this ; above them shows the 
     same harpoon-glyph as with the Eden-related figure [-see section below]  
     where the bird on top of it may be the swallow UR as “great (matrix-) speech” which 
     acted ‘like a harpoon’ and now commands the ten figures as headless ones ; 
     but it’s unclear what the ‘boat’ above them signifies as is ‘the door’ with hawk next to it

but if the base 10 option is true , also ‘a base-12’ would need to show  though we know that the numbers  often appear in a concealed way  — the ‘four beaded tassels’ topped with an ox head each contain three slabs which may represent their base 12 ; as the same ox depicted in top of the two sides of the palette perhaps as a  signature ruling the events [large : Narmer_Palette.jpg , wiki]

                            
       if also this is true ,
       then the Semitic looking defeated male can be ‘the Eden realm personified’ 
       for we said in intro that the White crown and the mace reconquered the land 
       from which they were thrown off when God created Eden ,
       where the hovering mace above him is the one by which the Sumerian Ninurta
       had slain the female figure Tiamat as personified Eden realm ; and likely this is 
       not ‘a real being’ like for example “our (male) Original” because of the glyph SH
       above him meaning ‘pool, lake’ and in Spells often as ‘the Eden dimension’ ,
       and combined with a ‘harpoon glyph’ now as a conquered (‘opened’) concept ;
       while the Eden-realm is being subdued ultimately by base 12 — by the tassels !
              [sub :
              because ‘the harpoon’ also shows at the 10 headless figures :
              both Rgveda and Qabbalah talk about “a human-like figure” imagined as
              a ‘giant figure’ projected standing upon the south-land (shore of Heaven)
              that somehow carries base 10 , where Rgveda has the figure containing 
              a triple ‘1000’ as the ultimate factor of base 10 ,
              yet perhaps that concept is too complicated here ?] 
 
       the more difficult scenes :
 
       the two fleeing males – the Eden binary ? :
       now that we had a personified Eden realm also the the two naked figures 
       (which is even more a ‘Semitic depiction’) at the bottom of the palette below the 
       subdued male may represent “the Eden sun and moon as her Binary System” 
       which is the now ‘opened gate of Eden in her north’   —
       first because we do not know another “concept of two” and because the theme
       of “the opened great double door” often features in the Spells ,
       that they show as ‘running’ perhaps may mean ‘moving objects’ (as in a binary)
       while above them shows “a fortress” glyph to the left and either a SA or SHEN
       glyph to the right — if the latter , as SHEN ‘encircle’ it would fit the binary theme ,
       but if SA ‘to protect’ it could signify “protecting their opened door unto Eden”  
 
       important here is “that they used Eden’s sun and moon to make their base 12” 
       [which Sumer and Rgveda describe even more clearly as the Spells] 
       so that ‘the binary’ indeed could be part of the overall theme of this palette 
 

       [the scene at the bottom of the verso side is unclear :
       per the above the bull is ‘base 12’ that may have broken ‘the Eden fortress’ 
       since the same naked Semitic type male is shown , however the depicted 
       glyph does not exist and “a round fortress” (if it is ‘a fortress’) neither exists
 

while never ‘anything round’ is used ‘for Eden’ ;        perhaps this is overthinking but the squares        surrounding the half-circle seem to be ‘ten’         [though one didn’t fit on the palette no more]         and “a broken (Eden-) host (-of ten)” can be        intended since ‘the bull’ as base 12 breaks it         [perhaps this was ‘the (Eden-) star’ ..?]  ;        and who knows as early version of UP-SH         reading the 10 stars /        of the (Eden-) pool (‘dimension’) / to open         or ,

       as a “the 10 stars of the pool (‘as’ or ‘by’) the (Eden-) root to open” 
       to underline what was the origin of “the ten decapitated figures” in top] 

 
       the ‘sandal bearer’ :                                                                           
       there is no good explanation for ‘the sandal bearer’ showing at both sides
       but in Spells we interpreted ‘the sandal’ THEBT as ‘the solar plane region’ (B) 
       that is ‘connecting to’ (TH) something — probably ‘to Eden’ — where the idea 
       of a sandal may be ‘to trample upon the Eden realm’ ;
       the 7-petalled (!) flower above him (-but 6 in the other depiction) is interesting 
       for us since it could refer to the sacred ‘seven’ which they acquired when Adam
       sold Eden’s base 10 unto them and the only candidate would be the SESHAT
       glyph (-as the female aspect of Thoth) yet the combination with the solar plane 
       does not make Sense in this case ;
       in the depiction to right the sandal-bearer shows beneath an oblong square 
       that may be the glyph H’ET “(matrix-) house” as that same solar plane (B) ,
       showing a possible TCHEB glyph inside it meaning “to furnish” which in turn 
       can have intended how that plane now is furnished with stolen Eden aspects
 
       the hawk :
       in this same context ,
       the “hawk opening the mouth of a figure using a chisel” as depicted to its right ,
       can be “Horus opening the paradise of mystery-Babylon” which is in the center 
       of the solar plane since the glyph AKHET shows as “field glyph” — perhaps as 
       precursor of the later glyph SEKHET ÁARu “the Field of Reeds” — but with the 
       meaning here of ‘flourishing field’ and perhaps even as ‘(new-) matrix seasons’  
       [for the same glyph was used as the first of four seasons in ancient Egypt , 
       and it would match the overall ‘altered Times’ per the base 10 and 12 theme] 
 
       and finally ‘the four standards’ — but unknown ;
       the only ‘four’ that we know of which were very important for them relate to the 
       four living beings (cherubim) and especially their images surrounding the Eden 
       star located upon his scepter-axis above the Sanctuary and ruling the gate ;
       but though the type standards (ÁAT) mean “a concept at an elevated place” 
       that could fit the captured scepter-axis theme , the depictions escape us      —
             [sub : 
             Rgveda mentions “the animal images surrounding the (Eden-) star” which
             they deeply hated — because aimed at them the unclean animal souls ! — 
             but stubbornly only mentions ‘three of them’ : an owl, a little owl and a dog
             (how they could make this from ‘a lion, an ox, an eagle and a human’ will
             remain a mystery) ,
             while the standards here show ‘two birds and a wolf-type-dog’ ;  
             but since there is no text explaining more we must leave it at that]      
 
       a similar theme in the ‘opening of the mouth’ ritual
       as an impossible read that will need another separate page ,
       but with the same ‘chisel opening the mouth’ theme as the hawk is doing here 
       and with an unhealthy amount of theme-related phrases like “opening the root” 
       and “stars” for “the festival (-of completion of the solar plane)” HEB ,
       even with “five grains of the south & five grains of the north” that are offered 
       which interestingly could be the 2 x 5 of the Behemoth and Leviathan realm ….
  
                                                                                conclusion :
 
       though we wished to [ever]  find a written text
       clearly stating ‘we obtained base 10 and made the matrix year of 12 months’
       we will not find that since that secret had to be shrouded in symbolism ,
       but adding this to the (Ramses-) tombs and Amduat and a number of Spells ,
       together with Rgveda where no ‘decapitated figures’ appear but ‘ten virgins’
       or ‘ten fingers’ (sic) with a word-root related to Eden is used ,
       it does support the overall concept of a hidden base 10 ….

soon we die
hence the urgency to get these pages out
for you & we decoded also this subject
that no one else did
since we fkn listened – and cared – and tried

july 28 [7pm] 
[theme] : the Narmer palette : the decapitated base 10
                     and Behemoth & Leviathan mingled again
well decoded and another great support of our base 10 theme ,
getting these pages out to postpone the inevitable — soon
you made us to fall into the sword of hopelessness
none of your souls would dare to say this
but you did wrong
adding hopeless days and months to our misery
where we won’t try establish another date of our relief
because they proved to never ever work out
while we’re trapped endangered from every side
and only that iron silence from you
then I plead to you say something
for we waited beyond impossible
tried to understand you beyond impossible
got the base 10 lost for 2000 years
because we listened to you and we cared
but that is at the brink of implosion
if you will keep your silence and have us go Down