depicting mystery-Babylon in stone as Esau’s victory monument on earth showing many themes that we found but all disguised as ‘christian lore’ [2025-10oct.31- ] |
| content : [adapted these lines just before posting] … in this page shows the occult temple of Esau that he named the “Sagrada Familia” however as a term referring to “his own bloodline” (sic) , the buildup was (still is) to present you a tour of mystery-Babylon as the theme of this ‘temple’ ; but added here because of our current theme : the star , to right , placed upon one of its towers as ‘a 12 pointed’ one said as “dedication to Mary” yet by every context is ‘the winged sun’ as the copy of the imprisoned Eden-star (shown here by the 12 separate small stars below it) , where the effect of that sun upon the ‘paradise’ of mystery-Babylon shows in the second photo as ‘(12 type-) colourful streams of light’ which was an intended designed feature here and different from stained-glass windows that always ‘depict certain (biblical-) scenes’ ; now please , we had opted that instead of the Revelation line “woman with a crown of 12 stars” it must have been “star with a crown of 12 beams” but any confirmation of such a concept was difficult to find — then came these ’12 days’ , but is that not directly connected ? 12 gemstones (of light) of the 12 tribes ? especially now in this ’12-day Atonement’ ? these lights support the physical aspects of our Originals as part of the ‘birthright’ theme where the Eden-star returns – if we’re right – in the ‘three days’ following these twelve … because , when surrounding the city of Jericho seven times from the day of Trumpets , the Ark of the Covenant’ (with the scroll inside !) was the representation of the eden-star ! both the star and the scroll were in the possession of his people so to speak so that God overthrew Jericho — and are we not in a similar situation now .? |
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short intro
… never having given much attention to this Monstrous building also because
we literally had too many other things on our mind , is it not , the placed “star”
on top of one of the towers caught the attention – because of our theme now ,
and examining the building the term ‘Monstrous’ is a heavy understatement :
this is insane Esau in an absolutely Grotesque form, completely revealing his
own warped vile nature ,
| not only through the design of his (!) ‘church’ that together with all of its weird ‘symbology’ should have featured in the Lord of the Rings but mainly because of his main crime : rejoicing his victory as ‘depicting in stone’ all the unspeakable crimes he and his overlords in their evil region since ancient times have done against Eden and her people Jacob , knowing that the latter wouldn’t understand his ugly themes in christian (‘Catholic’) lingo his real message here – since he concealed which he anyway hates and rejects |
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THIS is the only reason why his vile project dead or alive has to be completed
having been under construction for a century by now , and why the astronomic
costs are irrelevant – because who would nót want a self-aggrandizing monster
like a sore thumb sticking out the landscape representing all one’s atrocities ? –
because dead or alive an improved version of Giza built by his own forefathers
should appear as an eternal monument of the victory of his evil master ‘Adam’
Hogwarts Castle
… the used symbology óf the building itself and upon it is very extensive ,
and by nature interlinked as a mixture of christian (-but mostly Esau’s own type
christian abberations as his KJV / Catholic lore) and ‘gnostic components’ that
all together function to re-tell the concepts in the Egyptian Spells (sic) :
| as example of this disguise & mixing , the four towers around the centre carry a winged statue : they are said to represent ‘the four evangelists’ but they have the animal-forms of the cherubs ; yet these are not even these ‘four living beings’ but ‘the 4 sons of Horus’ aka the Locusts as we will see — so that you can guess ‘what’ the centre pillar will represent ; however , to perceive the buildup of concepts we first need to go back to the ground floor : |
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| #A the buildings’ main dimensional positioning … the entrance of the building is the starting point and see the section below, but next from her form also her positioning shows an important message : at the entrance ‘a turtle’ carries the foundation of the church as a symbol sanctimoniously explained as ‘a figure symbolizing the stability of the cosmos’ yet which has no biblical reference whatsoever ; the turtle concept comes from the Egyptian spells (glyph SHETH) depicting “the fallen Eden region” where ‘the shell’ is “the (top of-) Eden’s sky” upon which the evil dimension built their realm , as the foreign land of the middle-register of Amduat ; and hence both ‘a water and a land turtle’ appear if true then the main set-up of the building itself as her form must have a dimensional aspect also as the nature of that realm north of Eden : |
real meaning : [‘north of Eden’] 
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| #B main setup : a building with three facades … as the main aspect of their matrix dimension (for the ‘three registers’ theme will appear later) : |
real meaning : [‘three-fold matrix-realm’] |
in the original “pre-Eden situation” the evil-realm of the West (“Satan’s realm” for lack
of better expression — a long story , but as his realm that eventually will cease to exist)
had captured the feminine & masculine one still part of the land as ‘the shore of Heaven’
(the same south-land where later God created the Eden-paradise) , so that the West
became to rule both and corrupted them into a linear ‘matrix Dualistic realm’ that we
| know as the monsters Behemoth and Leviathan ; yet togéther forming a ‘three-fold realm’ that Rg-Veda named ‘Trita’ (in Spells as KHEMT) as the ‘nature’ of the serpent-race which the matrix installed upon the south-land ; and when God had made Eden that nature was countered by the triple form of her star |
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within each facade sub-themes are depicted
yet concealed as three biblical main classes :
— the Nativity facade (birth)
— the Passion facade (crucifixion)
— the Glory facade (heaven)
| #1 the Nativity facade … main feature here is “the entrance Gate” to the building itself right away showing that one enters ‘the mystery-Babylon region’ namely “through her own gate” — the ‘three doors’ repeat her three-fold realm (see top) hidden as ‘hope, charity and faith’ , yet the doors show dramatic foilage : >> because they couldn’t pen ‘Babylon’ on the door for obvious reasons the link is to the foilage and fauna in the scene above them of ‘Joseph’s & Maria’s Flight to Egypt’ : the Scroll has Egypt as mystery-Babylon’s land showing here ‘which Gate’ was intended (and the ‘glass’ in it represents ‘crystalline’) |
real meaning : [‘Adams gate & world-tree’]
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| the gate with their ‘matrix world-tree’ on top is shown in the centre of four towers >> and on top of the gate first sit ‘three regions’ before the world-tree rises up from the gate ; the world-tree has two legs as inverted ‘V’ as both axes invading Eden (-further below) to steal her aspects and transporting those tó Adam’s gate where they are ‘processed’ ; after writing this , a quote has “the Tree of Life is as a mighty cypress symbolizing eternal life as well as Christ’s connection to nature which is like crowning the central portal” — |
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continuing “where the Three Porticos (just above the doors) represent the theological
virtues as Faith , Hope and Charity” ;
in our vernacular these porticos are “the island of the horizon” of Horus as the region
just above Adam’s gate containing ‘workplaces’ (glyph ÁST) for nefarious purposes ,
disguised by the euphemism ‘Nativity’ as the description of this facade :
| the ‘nativity scene’ just below the world-tree right beneath his ‘V-shape’ is about “making for themselves a body from stolen aspects of our slain Originals (‘original pretty body’)” from which’ aspects Adam designed a body for his own “Ammon sons (and daughters)”, disguised here as ‘a Nativity scene’ |
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| because just below that shows a section >> allegedly as some “choir of angel children” but in reality ‘the Ammon sons themsélves’ who assist Adam through their commanding and invoking Eden aspects for to ascend to his gate , yet they also are ‘the sacrificial high priests’ overseeing the torturing of our Originals as the gruesome event of stripping their flesh ; and the theme of both porticos is confirmed by “chameleon statues” to the left and right as animals symbolizing ‘change’ ….. [for the Egyptian ‘beetle‘ was too obvious] |
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the slaughter is seen in the portico of ‘Hope’ right next to the ‘st.Joseph’ statue disguised ofcourse as ‘the Bethlehem children killed’ ; becáuse events in the other Reality ‘overlap’ similar events in this Earths’ awful reality and specifically concerning the events of Christ it was very easy to disguise the former crime in a ‘biblical setting’ , yet it is the buildup and combination of the presented scenes that decide the context — because another of the many ‘out-of-place’ symbols is a depiction of two groups at both |
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| sides of the one portico : a group of men and one of women facing the middle-scene in a worshipping pose , typically so shown in Egyptian murals … the figure Adam may have been ‘st.Joseph’ but curiously detailed photos are scarce so it’s hard to see the attributes , where ‘Maria’ next to him can represent ‘imprisoned Eve’ all of the above indeed is situated just on top of their Gate region “facing north-east” indicating ‘the eastern half of the southland’ (see the ‘three-fold’ section above) with a slight deviation but perhaps because their dimensional-Vector sits at an angle xx |
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[will be continued …]
