… these four vessels do appear to exist and perhaps as part of the lampstand (scepter) where the rising fumes ascend to the star in top and form (?) the four faces of the living beings that overlay the star at her four sides and from there (?) become the cardinal winds , for the four dimensional-garments over Eden    this theme is a bit .. foreign to us and we are not sure ‘what’ exactly to declare but since as base-4 it is linked to the ’40 days’ which right now must follow after the 70th day  perhaps we best ‘list all that we learned’ , seeing this theme is very buried in the Scroll

the four (stolen-) vases and the dimensional-veil by them

     … fortunately we did find the ‘four-fold dimensional garment’ in the Spells ,
     as the – now mutilated – ‘red’ garment and the ‘white’ one containing red and blue ;
     not as a literal ‘colored’ haze or fume over the land but as four veils (‘clouds’) that 
     nourish aspects of the Eden land and probably also ‘of our pretty Originals’  
 

we also did find that the Locusts used the winds      to beautify their own habitat with, after they stole      the crowns from the four cherubim — but instead      must have been “these four vessels for them” —      yet there is very much we do not know ,      because the theme got systematically corrupted      so that we need to recompose all of her contents

now for the fish-like-demons

 
 
     we don’t know if this theme started before Eden ,
     where maybe the cherubim as type living-animals
     dwelt in the south-land (as ‘the shore of Heaven’)
     and became subdued by the serpent-race ,
     or whether the three types animals as the living-beings (plus the human-like one) 
     were created when Eden started — so that the human would rule all of the aspects
     of all the type animals as living-beings from which (probably) he had come forth 
     [or he would not have authority to rule them — read ‘serve them’ , is it not] 
 
     either way , the unclean-animal-demons must have had a particular beef with the
     cherubim as animal-beings , desiring aspects of the realm which gave them life 
     and would made them pretty , as aspects they desired for their own animal-souls ,
     so that it makes sense that they first stole ‘the winds’ from them, the breath of life,
     as the dimensional-garments in the (Eden-) sky of nourishing aspects
 
     curiously – or not – this theme is completely buried in the Scroll ,
     because though the stealing of the scepter-axis and that of the crystal-floor by 
     the chief of the serpent-race that became a Locust [‘Horus’]  indeed is traceable ,
     the concept of “also having stolen the four winds” is extraordinary corrupted ,

leaving us almost feeling as if fighting a second front ,      that however always can have been a consistent part      of all the attributes that have been stolen from Eden ,      also because of the four veils of the old Tabernacle      that, although seemingly not belonging to the obvious      sacred objects like the Ark (as ‘the star on his scepter’)      must have represented the same life-giving veils as the       breath of life in the Eden sky ,      which in turn must be connected to the for cherubim       or the entire concept would not make any Sense

 
     the below reasoning moves from one aspect to the next one please :
 
     the 4 images as faces , in four directions surrounding the (eden-) star 

we did a page on this , concerning Rgveda ,      where they very much hated these images ,      describing them as “the owl , the little owl      and the dog” and for unknown reasons do      not describe the human-like face ;      it seems possible that God devised their      faces projected over the star as a weapon      against the unclean-animal-type-demons       including the human-like serpent race ,      and perhaps by adding ‘a fourth one’ the      serpentine power of their ‘three-fold realm’      (they call ‘Trita’) was broken by introducing      the (square) cardinal directions

the images of the cherubim          surrounding the eden star

   
 
     as images created by incense (‘smoke’) [-from the 4 vessels]  (?)
     we have the literal four cherubim — or “the living-beings” as said in Revelation — 
     and “the images of their face surrounding the star” that is upon his scepter-axis
     standing over the Sanctuary ,
     and because the attribute of the four cherubim is “(Eden-) life” and because the
     scepter is now linked to this , a concept of four vessels being related to them 
     as four vessels “emitting (Eden-) Life for their images” can be valid ;
     that also become “four winds” as “four dimensional-garments” covering Eden 
     in order to nourish the same type animals and the human-like one 
 
     since we know the concept of “the cloud of the glory of IEUE” 
     [and compare the ‘dimensional-garment’ concept with “a cloud”]  ,
     then perhaps an idea of “an image caused by incense” is not too far-fetched 
     and a bizarre confirmation may show in 1Sam.28 ,
     where the “witch conjuring up Samuel’s spirit for Saul” can only have been an
     invention by Esau as yet again another plausible deniability, and instead must
     have been this theme : something is “brought up” (11) and though no ‘smoke’ 
     appears it does show “form, image (-being brought up)” (in 14) the context of 
     the ‘the image of Samuel’ as ‘the images of the (faces of the) cherubim’ 
     may very well have been the intent here ;

moreover, it also shows “garment” (‘mantle’) (in 14)      and since “an old man in a mantle” makes no sense      since the attribute ‘mantle’ is never explained       [so that the juxta would be “a naked man”]       it also torpedoes Esau’s invented ‘anointed mantle’      in the Elijah & Elisha stories where this garment      must have been about this same theme      [2Ki.2 “(whirl-) wind” shows with “mantle” while in      1Ki.19 it shows with “12 teams [of oxen] ” that was       about ‘the 12 [months]  the [=image]  [of heaven]’          for we had (-tsmd) for (-tslm) in previous pages]

No

 
     
     by the 4 vases fastened to the scepter-axis (?) [Ex.25] 
     some time ago we posed “4 fires (‘fire-altars’) at the corners of the crystal floor”  
     but perhaps the idea is “4 vases fastened to the scepter-axis” because of the 
     above theme of “their fumes forming the images of the living-beings” ;
     Exodus 25 [mirror in 37]  describes the candlestick ,
     though the “knop and the flower” thing is unclear ,
             (31-32-33)
             “And thou shalt make a candlestick [of]  pure gold: [of] 
               beaten work shall the candlestick be made: his shaft, and his branches,
               his bowls, his knops, and his flowers, And six branches shall come out
               of the sides of it; three branches of the candlestick out of the one side, and
               three branches of the candlestick out of the other side:
               [+carrying]  three [=almond like]  bowls, [with]  a knop
               and a flower in one (‘each’) branch; and three [=almond like]  bowls in
               the other (‘one’) branch, [with]  a knop and a flower: so in the six
               branches that come out of the candlestick.”  
               [=’so that the candlestick will exist of seven branches’ (b/c ‘six’ was already mentioned)]  
     okay ,
     so this was about “the 7 fires by the 7 Torches conveyed by the scepter” ,
     but the next section tells another concept of the lampstand :
             (34-35)
             “And in the candlestick [shall be]  four [=almond-like] 
               bowls [with]  their knops and their flowers. And [there shall be]  a knop
               under two branches of the same, and a knop under two branches of the same,
               and a knop under two branches of the same, according to the six branches
               that proceed out of the candlestick.” 
     where does the ‘four’ come from ..?
     concordances (yuk) have these “to sit on the central shaft at the three points 
     as the junctions with the arms plus one in top” but that makes no sense since
     they are no ‘knops or flowers’ but bowls , creating an impossible construct ;
     while another problem is that the line is corrupt —
     and·sphere under two-of the·tubes from·her
     and·sphere under two-of the·tubes from·her
     and·sphere under two-of the·tubes from·her
     for·six-of the·tubes the·ones-coming-forth from the·lampstand : 
     what did this wanted to say ?
     don’t we need ‘4 bowls , in the cardinal directions , under [the other ones] ‘ ?
     we cannot be sure that the four were ‘beneath’ the other (7-) ones but because 
     this is a different theme they should have been grouped together , and to avoid
     a mess in top of the lampstand “beneath” could make sense ,
     perhaps also including the aspect of “the arising smoke forming the 4 images” 
 
     we think the word “knops” (kaphtor H3730) was the Mole , first showing here ,
     strangely like the ‘kaphtor’ as Crete being the land of the white tall Philistines ,
     and close to the typical Esau-term ‘hand-palm’ (-kph) , so that
             (34)
             “and·in·the·lampstand four cones ones-almond-shaped spheres-of·her and·buds-of·her”
               was 
               the 4 – almond-like – bowls     +
               [for]  the her=4 (e=rbe) knops=vessels (Kphtr=Kd) of – the buds=winds (pRACH=RuACH)‘ 
     because ,
     there is a ‘four – vessels’ (Kd) in the corrupt “Elijah versus the Baal-priests” story
     which ultimately turned out to be this theme (-see upcoming page) ,
     and in mirror-chapters as ‘empty=four – vessels’ (where kdim Rqim = kdim Rbe) 
 
     after this (in 37) ‘the lamps are made’ probably to be placed upon the seven bowls
     but the following corrupt lines erased any “making of four vessels” 
 
     hence no ’24 elders’ but ‘four vases’ [Revelation 4 and Isaiah 6] 
     in chapter 4 the praising cherubim are causing something , as causing an aspect 
     belonging to them to be set in motion , which can hardly be an unexplained group
     of “24 elders” since such a concept just cannot be linked to the four cherubim ;
     compare Revelation 4 ,
             (9-10)
             “And when those [=living beings]  give glory and honour and thanks
              to him that sat on the throne, who liveth forever and ever,  (then-)
              The four and twenty elders fall down before him that sat on the throne,
               and worship him that liveth for ever and ever, and cast their crowns
               before the throne, saying,” 
               with Isaiah 6 ,
               (3-4)
             “And one (-cherub) cried unto another, and said, Holy, holy, holy,
               [is]  the LORD of hosts: the whole earth [is]  full of
               his glory. + the door [=’bowls’ H5592]  moved at the voice of
               him that cried, and the house was filled with smoke.” 
here ,
     the “smoke + fill + house” is important for us , and because H5592 is “bowl” more
     often than ‘door’ (-which seems invented) and “cubits + doors” make no Sense ,
     we have ‘the bowls + filled + the (Eden-) house (‘the realm’) + (with) a haze” ,
     where now we need to rephrase that using “(dimensional-) garments” ,
     as ‘the smoke + from the bowls + filled + the (Eden-) house + (with) (dimensional) garments’ ?
     or perhaps “filled the sky of the (Eden-) house” or similar options   —
     the point please is that these veils are (Eden-) life , breath-air ,
     as nourishing the different type living-animals (-including the human-like one) ,
     and perhaps it said (in 3) “the whole (Eden-) land is full of his (type Eden-) life” ?
           [sub :
           to be complete — the first time that those alleged ’24 elders’ show , in line 4 ,
           the subject must have been “the two ears of wheat”] 
 
     now the 4 dimensional veils — not as ‘4 different colored horses’ [Rev.6] 
     this section can have been cut off from that above , 
     where now the result of that smoke ascending from the bowls is shown to John ,

(in the Spells as UATCH “to flourish”) but it’s impossible to see what Attribute was
connected to this emerald — however, because these veils are about Eden-Life ,
the green must be linked to the “an emerald around the throne” (Rev.4:3)
instead of representing “death and the underworld” … no ?
 
   [mirror in Zechariah 6 ] 
     this (corrupted-) chapter also has the ‘white & red & dark and bay horses’ , 

     here ,
     the “lord of all the earth” is a corruption of the scepter-axis 
     because the four vessels seem to be part of the lampstand — see Exodus, below ;
     but in this corrupted section we cannot see if the winds go forth from the 4 faces
     after the smoke from the 4 bowls ascended to them (faces) ;
           [sub :
           it may have said “how it were these veils that were stolen” (by the Locusts) 
           even we still need to identify where this steal can show in the book Zechariah ,
                 (8)
                 “Then cried he upon me, and spake unto me, saying, Behold, these that
                    go toward the north country have quieted my spirit in the north country.”
                    see , (these) (were) go forth=stolen – [=from]  – the land=house of – north=Eden (as in 6)
                    (and now) her winds – quiet=nourish – the (matrix-) land of – the north’ ] 
                    [sub :
                    at the end shows this strange line ,
                    (11) “Then take silver and gold, and make crowns, and set [them] upon the head of Joshua 
                     the son of Josedech, the high priest;”
                     as ‘the [=vessels] – [=that] (are) placed – in top of – the joshua=sceptre (iosh=shbth)’ ?
                     while ,
                     in (14) “4 figures” show by four names “to which the crowns=vessels belong” 
 

since the earliest time of ancient Egypt (2700 BC)      four ritual vases came into being that later would      be identified as attributes of ‘the four Horus sons’       as three ‘animal-like heads’ and one human-like        this immediately reminds of the cherubim      and is virtual proof that our interpretation of these      locusts having stolen a concept from them is right ,       per the “four vases” lines in the Scroll (see page) ;       and here indeed shown as ‘vases’

 
     the sparse texts upon some of them does not reveal much :
     they are “protectors” (-of the matrix) and “flew up (-to the north) to give something” 
     to be “within” (-the matrix) , but the subject is vague and it does not show “winds”
     as we would expect the content of the vases to be ;

 
     again , ancient Egypt must have been started by the sons of the serpent race
     [where only later the Esau sons that would corrupt the Scroll were born into it] 
     for the theme of breath-air was crucial for the real serpent race in the other Reality ,
     and their seed on this earth would depict that steal in the form of literal vases ;
     only in later times these were used to contain the internal organs of the deceased 
     but the reason for that practice is unclear (to us) since the main theme is another
 

they are also depicted as ‘standing upon a lotus’      which is the region of the opened Eden-gate in      her North where “her energies escape” so to say      here in the form of ‘a lotus’ ,      and then we get in trouble  —      for it is difficult to establish where exactly these      four vases of the four cherubim were positioned :      perhaps logical would be “inside the Sanctuary”       but the ‘lampstand’ section in Exodus seems to      link them to the scepter-axis , and since these       beings stand upon the lotus it may be the latter :

 
     we opted “that the vapor ascending from the vases may have formed the animal
     heads as the images of the cherubim surrounded the star in the four directions”
     so that the four vases can have been ‘a bit below those images’ ,
     but the vases may still be at that same place — yet having been annexed ;
     it sounds strange but through this occupation the vases are ‘within’ (see above)
     and could explain “the ladder that grows” (-to the north) that they seem to cause
     (Pyr.2079) as a ladder that could be starting at an occupied place
 
 

 
     these type themes are tricky to read but you see ‘the 4 vessels’ in top to right ,
     and can say “the 4 (matrix-) vessels [by]  ‘the eden-one(s)’ to mutilate” NM-ST ,
     though NM can have other related meanings — and who knows ‘occupy’ 
     [where S or ST is not exactly ‘eden-one’ but close]  ;
     and (c) has “the eden-one to make empty [by to be?]  the great (matrix-) throne 
     [through?]  connecting [with?]  the eden-one” ,
     as “the great throne of the (matrix-) wind [by?]  to seize the below (eden one)” 
     where the subject of the later term “to purify” may be ‘the vessels themselves’ ;
     the ‘winds’ is a good find ,
     but we will need more texts about this theme to can confirm it
     (or “the great (matrix) one for the throne (the Torus)” but that is a detail) ;
     and could explain “the ladder that grows” (-to the north) that they seem to cause
     (Pyr.2079) 
 
     the sparse texts upon some of them does not reveal much :
     they are “protectors” (-of the matrix) and “flew up (-to the north) to give something” 
     to be “within” (-the matrix) , but the subject is vague and it does not show “winds”
     as we would expect the content of the vases to be ;
     in the Spells 
     while the times we’ve seen these four beings come along in the Spells it neither
     is clear what function they have — so that we need to look again
 

     we only didn’t mention ‘the names of the four sons’ / Locusts ,
     but that is because we’ve no idea where those names refer to